Fanboys Anonymous

BATMAN: HUSH Movie Review Report Card (Making the Grade)

Posted by Anthony Mango - Saturday, July 20, 2019

The latest in the line of animated DC direct-to-video films is Batman: Hush, based on the comic by the same name. Is it worth the watch, or should it be skipped?

Welcome to the latest edition of Making the Grade—a review format segment here on Fanboys Anonymous where we break down the major components of a movie and give it a score based on the standard report card lineup: A, B, C, D, and F for a total failure.

HD Batman: Hush photos screen shots poster

Batman: Hush
Directed by Justin Copeland
Written by Ernie Altbacker, Jim Lee (comic), Jeph Loeb (comic)

STARRING: Jason O'Mara (Bruce Wayne / Batman), Jennifer Morrison (Selina Kyle / Catwoman), Jerry O'Connell (Clark Kent / Superman), Maury Sterling (Thomas Elliot / Hush), Rainn Wilson (Lex Luthor), Rebecca Romijn (Lois Lane), Geoffrey Arend (Edward Nygma / The Riddler), Sean Maher (Dick Grayson / Nightwing), Peyton List (Barbara Gordon / Batgirl), Vanessa Williams (Amanda Waller), Jason Spisak (The Joker), Hynden Walch (Harleen Quinzel / Harley Quinn), Bruce Thomas (Commissioner Gordon), Stuart Allan (Damian Wayne / Robin), James Garrett (Alfred Pennyworth), Sachie Alessio (Lady Shiva), Adam Gifford (Bane, Clayface), Tara Strong (Reporter)

WARNING! SPOILERS BELOW!

STORYTELLING SUBJECTS

STORY: A

Hush is an amazing story. Admittedly, they trimmed this down by cutting some plotlines, like Jason Todd, Two-Face, and making it so Tommy Elliot isn't actually Hush. But you know what? Those things happen in adaptations, and if I wasn't aware of the original story, I would think that this was almost entirely a fully realized story, with the only oddball part of it being The Riddler's nearly random introduction with the Lazarus Pit having virtually no setup ahead of time, rather than Lady Shiva's quick aside. However, I'd argue that in some ways, that's better, because we as a viewing audience shouldn't be aware of all the omniscient aspects of a mystery if we're on the same journey as the protagonist, since that spoils it. There's no way Bruce would know every little thing (even though he's The God Damn Batman), so it's nice to see a mystery that can't be guessed ahead of time because we're lacking information, like every other character would be missing.

It's a great story of Bruce and Selina's relationship and how that works, more than anything else.

CHARACTERS: A+

Look, I've said it a million times before, Batman (Bruce Wayne) is my favorite character of all time in any form of fiction.

Catwoman was sexy and the right balance of villainous and heroic, and the standout of the story.

Even the side characters were translated perfectly, like how Bane wasn't just a mindless brute and they wrote that off as a side effect of the venom. Fantastic characterization for Damian. I loved Barbara having a serious vibe of intelligent sass to her and Dick being cocky and humorous.

Luthor being helpful, but in the most pain in the ass way. Joker being obsessed with Batman and finding humor in a situation where he's getting his ass kicked and he's innocent from killing Elliot, and mentioning that he wants Batman to break his code, but for something he did. Poison Ivy being flirtatious and nasty. All great stuff.

TONE / ATMOSPHERE: A+

This had the right balance of action, comedy and romance for what these movies should have. It was adult enough for a wide target audience wherein kids can take it at face value without looking deeper, while adults can take more out of things like the struggles of relationships and even knowing that friend of yours that would act the way Dick does with Bruce. This was really done well, and it makes me want the team behind this to do more of these.

TECHNICAL SUBJECTS

ACTING: B

Voice acting on these are all pretty much top-notch for the main characters. I'm always going to say that Kevin Conroy would be better, but Jason O'Mara is probably my #2 favorite Batman voice actor by this point.

Vanessa Williams immediately lands as Amanda Waller, for instance, as she commands respect and authority with every syllable.

I'm not fond of Rainn Wilson as Lex Luthor, though, and I think they always downgrade when it comes to The Joker if they don't have Mark Hamill or Troy Baker doing the voice.

VISUALS (FX, MAKEUP, COSTUMES, SETS): A+

This may be the absolute best animation out of any of these films. Perfect. The costumes for all the characters were realistic, the cityscape was fitting. Awesome job.

AUDIO (MUSIC / SOUND): A–

It's hard to give this a really strict grade, as it's just pretty much good enough to be in the background without being distracting. The music wasn't memorable in the slightest bit, nor was any of it distracting. The sound design was rock solid.

EXTRA CREDIT NOTES

  • The little kid kicking Bane and calling him an asshole.
  • "Okay you crazy plant bitch, it's on." - Catwoman
  • Selina's cat is named Eartha. Amazing.
  • Vesti La Giubba! Great touch!
  • "Who's Robin these days?" - Joker. LOVE IT. Very subtle Jason Todd thing (although where's Tim Drake in all this? It kind of proves to me my theory that Drake is a one-trick pony only useful for getting Batman to stop being upset about Todd's death, and that Damian is almost a better method to do that)
  • I absolutely LOVE that Selina asks Batman "Wait, are you sure?" when he's going to reveal his identity. That right there is all you need to know about Catwoman as a character in terms of her alignment.
  • "Who's Damian?" / "Robin. His.......son....." - LOL
  • Points deducted for the design of Mr. Freeze.
  • Wait, so are they implying that Gordon knows Bruce is Batman? I dig it. I always like my Jim Gordon to be a good enough detective in his own right to have figured it out but never wants to officially confirm it because he wants plausible deniability.

FINAL GRADE & ASSESSMENT

GRADE: A+ (Pass)

Amazing. I can't recommend this enough. Definitely see it, don't skip it. This may be my favorite of these animated films yet.

WHAT DID YOU THINK OF THE FILM?
LEAVE YOUR THOUGHTS IN THE COMMENTS BELOW!

71st Primetime Emmy Awards 2019 Nominees List

Posted by Anthony Mango - Tuesday, July 16, 2019

The 71st Annual Primetime Emmy Awards will take place September 22, 2019 at the Microsoft Theater in Los Angeles California, broadcast by Fox.

Here is a list of the nominees in all of the categories.

List of 71st Emmy Nominees Winners

PROGRAM CATEGORIES

Outstanding Comedy Series

Barry (HBO)
Fleabag (Amazon)
The Good Place (NBC)
The Marvelous Mrs. Maisel (Amazon)
Russian Doll (Netflix)
Schitt's Creek (Pop)
Veep (HBO)

Outstanding Drama Series

Better Call Saul (AMC)
Bodyguard (Netflix)
Game of Thrones (HBO)
Killing Eve (BBC America)
Ozark (Netflix)
Pose (FX)
Succession (HBO)
This Is Us (NBC)

Outstanding Variety Talk Series

The Daily Show with Trevor Noah (Comedy Central)
Full Frontal with Samantha Bee (TBS)
Jimmy Kimmel Live! (ABC)
Last Week Tonight with John Oliver (HBO)
The Late Late Show with James Corden (CBS)
The Late Show with Stephen Colbert (CBS)

Outstanding Variety Sketch Series

At Home with Amy Sedaris (truTV)
Documentary Now! (IFC)
Drunk History (Comedy Central)
I Love You, America with Sarah Silverman (Hulu)
Saturday Night Live (NBC)
Who Is America? (Showtime)

Outstanding Limited Series

Chernobyl (HBO)
Escape at Dannemora (Showtime)
Fosse/Verdon (FX)
Sharp Objects (HBO)
When They See Us (Netflix)

Outstanding Television Movie

Black Mirror: Bandersnatch (Netflix)
Brexit (HBO)
Deadwood (HBO)
King Lear (Prime Video)
My Dinner With Hervé (HBO)

Outstanding Competition Program

The Amazing Race (CBS)
American Ninja Warrior (NBC)
Nailed It! (Netflix)
RuPaul's Drag Race (VH1)
Top Chef (Bravo)
The Voice (NBC)

ACTING CATEGORIES

Outstanding Lead Actor in a Comedy Series

Anthony Anderson as Andre "Dre" Johnson, Sr. on Black-ish (ABC)
Don Cheadle as Mo Monroe on Black Monday (Showtime)
Ted Danson as Michael on The Good Place (NBC)
Michael Douglas as Sandy Kominsky on The Kominsky Method (Netflix)
Bill Hader as Barry Berkman / Barry Block on Barry (HBO)
Eugene Levy as Johnny Rose on Schitt's Creek (Pop)

Outstanding Lead Actress in a Comedy Series

Christina Applegate as Jen Harding on Dead to Me (Netflix)
Rachel Brosnahan as Miriam "Midge" Maisel on The Marvelous Mrs. Maisel (Amazon)
Julia Louis-Dreyfus as Selina Meyer on Veep (HBO)
Natasha Lyonne as Nadia Vulvokov on Russian Doll (Netflix)
Catherine O'Hara as Moira Rose on Schitt's Creek (Pop)
Phoebe Waller-Bridge as Fleabag on Fleabag (Amazon)

Outstanding Lead Actor in a Drama Series

Jason Bateman as Martin "Marty" Byrde on Ozark (Netflix)
Sterling K. Brown as Randall Pearson on This Is Us (NBC)
Kit Harington as Jon Snow on Game of Thrones (HBO)
Bob Odenkirk as Jimmy McGill / Saul Goodman on Better Call Saul (AMC)
Billy Porter as Pray Tell on Pose (FX)
Milo Ventimiglia as Jack Pearson on This Is Us (NBC)

Outstanding Lead Actress in a Drama Series
Emilia Clarke as Daenerys Targaryen on Game of Thrones (HBO)
Jodie Comer as Oksana Astankova / Villanelle on Killing Eve (BBC America)
Viola Davis as Annalise Keating on How to Get Away with Murder (ABC)
Laura Linney as Wendy Byrde on Ozark (Netflix)
Mandy Moore as Rebecca Pearson on This Is Us (NBC)
Sandra Oh as Eve Polastri on Killing Eve (BBC America)
Robin Wright as Claire Underwood on House of Cards (Netflix)

Outstanding Lead Actor in a Limited Series or Movie

Mahershala Ali as Wayne Hays on True Detective (HBO)
Hugh Grant as Jeremy Thorpe on A Very English Scandal (Amazon)
Benicio del Toro as Richard Matt in Escape at Dannemora (Showtime)
Jared Harris as Valery Legasov in Chernobyl (HBO)
Jharrel Jerome as Korey Wise in When They See Us (Netflix)
Sam Rockwell as Bob Fosse in Fosse/Verdon (FX)

Outstanding Lead Actress in a Limited Series or Movie

Amy Adams as Camille Preaker on Sharp Objects (HBO)
Patricia Arquette as Joyce "Tilly" Mitchell on Escape at Dannemora (Showtime)
Aunjanue Ellis as Sharonne Salaam on When They See Us (Netflix)
Joey King as Gypsy Rose Blanchard on The Act (Hulu)
Niecy Nash as Delores Wise on When They See Us (Netflix)
Michelle Williams as Gwen Verdon on Fosse/Verdon (FX)

Outstanding Supporting Actor in a Comedy Series
Alan Arkin as Norman Newlander in The Kominsky Method (Netflix)
Anthony Carrigan as NoHo Hank in Barry (HBO)
Tony Hale as Gary Walsh in Veep (HBO)
Stephen Root as Monroe Fuches in Barry (HBO)
Tony Shalhoub as Abe Weissman in The Marvelous Mrs. Maisel (Amazon)
Henry Winkler as Gene Cousineau in Barry (HBO)

Outstanding Supporting Actress in a Comedy Series

Alex Borstein as Susie Myerson in The Marvelous Mrs. Maisel (Amazon)
Anna Chlumsky as Amy Brookheimer in Veep (HBO)
Sian Clifford as Claire in Fleabag (Amazon)
Olivia Colman as Godmother in Fleabag (Amazon)
Betty Gilpin as Debbie Eagan in GLOW (Netflix)
Sarah Goldberg as Sally Reed in Barry (HBO)
Marin Hinkle as Rose Weissman in The Marvelous Mrs. Maisel (Amazon)
Kate McKinnon as various characters in Saturday Night Live (NBC)

Outstanding Supporting Actor in a Drama Series

Alfie Allen as Theon Greyjoy in Game of Thrones (HBO)
Jonathan Banks as Mike Ehrmantraut in Better Call Saul (AMC)
Nikolaj Coster-Waldau as Jaime Lannister in Game of Thrones (HBO)
Peter Dinklage as Tyrion Lannister in Game of Thrones (HBO)
Giancarlo Esposito as Gus Fring in Better Call Saul (AMC)
Michael Kelly as Doug Stamper in House of Cards (Netflix)
Chris Sullivan as Toby Damon in This Is Us (NBC)

Outstanding Supporting Actress in a Drama Series

Gwendoline Christie as Brienne of Tarth in Game of Thrones (HBO)
Julia Garner as Ruth Langmore in Ozark (Netflix)
Lena Headey as Cersei Lannister in Game of Thrones (HBO)
Fiona Shaw as Carolyn Martens in Killing Eve (BBC America)
Sophie Turner as Sansa Stark in Game of Thrones (HBO)
Maisie Williams as Arya Stark in Game of Thrones (HBO)

Outstanding Supporting Actor in a Limited Series or Movie

Asante Blackk as Kevin Richardson in When They See Us (Netflix)
Paul Dano as David Sweat in Escape at Dannemora (Showtime)
John Leguizamo as Raymond Santana, Sr. in When They See Us (Netflix)
Stellan Skarsgård as Boris Shcherbina in Chernobyl (HBO)
Ben Whishaw as Norman Josiffe / Norman Scott in A Very English Scandal (Amazon)
Michael K. Williams as Bobby McCray in When They See Us (Netflix)

Outstanding Supporting Actress in a Limited Series or Movie

Patricia Arquette as Dee Dee Blanchard on The Act (Hulu)
Marsha Stephanie Blake as Linda McCray on When They See Us (Netflix)
Patricia Clarkson as Adora Crellin on Sharp Objects (HBO)
Vera Farmiga as Elizabeth Lederer on When They See Us (Netflix)
Margaret Qualley as Ann Reinking on Fosse/Verdon (FX)
Emily Watson as Ulana Khomyuk on Chernobyl (HBO)

DIRECTING CATEGORIES

Outstanding Directing for a Comedy Series

Barry (Episode: "The Audition"), directed by Alec Berg (HBO)
Barry (Episode: "ronny/lily"), directed by Bill Hader (HBO)
The Big Bang Theory (Episode: "The Stockholm Syndrome"), directed by Mark Cendrowski (CBS)
Fleabag (Episode: "Episode 1"), directed by Harry Bradbeer (Amazon)
The Marvelous Mrs. Maisel (Episode: "All Alone"), directed by Amy Sherman-Palladino (Amazon)
The Marvelous Mrs. Maisel (Episode: "We're Going to the Catskills!"), directed by Daniel Palladino (Amazon)

Outstanding Directing for a Drama Series

Game of Thrones (Episode: "The Last of the Starks"), directed by David Nutter (HBO)
Game of Thrones (Episode: "The Long Night"), directed by Miguel Sapochnik (HBO)
Game of Thrones (Episode: "The Iron Throne"), directed by David Benioff & D. B. Weiss (HBO)
The Handmaid's Tale (Episode: "Holly"), directed by Daina Reid (Hulu)
Killing Eve (Episode: "Desperate Times"), directed by Lisa Brühlmann (BBC America)
Ozark (Episode: "Reparations"), directed by Jason Bateman (Netflix)
Succession (Episode: "Celebration"), directed by Adam McKay (HBO)

Outstanding Directing for a Variety Special

Carpool Karaoke: When Corden Met McCartney Live From Liverpool, directed by Ben Winston (CBS)
Homecoming: A Film By Beyoncé, directed by Ed Burke and Beyoncé Knowles-Carter (Netflix)
Live In Front Of A Studio Audience: Norman Lear's 'All In The Family' And 'The Jeffersons', directed by James Burrows and Andy Fisher (ABC)
Springsteen On Broadway, directed by Thom Zimny (Netflix)
The Oscars, directed by Glenn Weiss (ABC)

Outstanding Directing for a Variety Series

Documentary Now! (Episode: "Waiting for the Artist"), directed by Alex Buono and Rhys Thomas (IFC)
Drunk History (Episode: "Are You Afraid of the Drunk?"), directed by Derek Waters (Comedy Central)
Last Week Tonight with John Oliver (Episode: "Psychics"), directed by Paul Pennolino (HBO)
The Late Show with Stephen Colbert (Episode: "Live Midterm Election Show") directed by Jim Hoskinson (CBS)
Saturday Night Live (Episode: "Host: Adam Sandler"), directed by Don Roy King (NBC)
Who Is America? (Episode: "Episode 102"), directed by Sacha Baron Cohen, Nathan Fielder, Daniel Gray Longino, and Dan Mazer (Showtime)

Outstanding Directing for a Limited Series, Movie or Dramatic Special

Chernobyl, directed by Johan Renck (HBO)
Escape at Dannemora, directed by Ben Stiller (Showtime)
Fosse/Verdon (Episode: "Glory"), directed by Jessica Yu (FX)
Fosse/Verdon (Episode: "Who's Got the Pain"), directed by Thomas Kail (FX)
A Very English Scandal, directed by Stephen Frears (Amazon)
When They See Us, directed by Ava DuVernay (Netflix)

WRITING CATEGORIES

Outstanding Writing for a Comedy Series

Barry (Episode: "ronny/lily"), written by Alec Berg & Bill Hader (HBO)
Fleabag (Episode: "Episode 1"), written by Phoebe Waller-Bridge (Amazon)
PEN15 (Episode: "Anna Ishii-Peters"), written by Maya Erskine & Anna Konkle (Hulu)
Russian Doll (Episode: "Nothing In This World Is Easy"), written by Natasha Lyonne, Leslye Headland, & Amy Poehler (Netflix)
Russian Doll (Episode: "A Warm Body"), written by Allison Silverman (Netflix)
The Good Place (Episode: "Janet(s)"), written by Josh Siegal & Dylan Morgan (NBC)
Veep (Episode: "Veep"), written by David Mandel (HBO)

Outstanding Writing for a Drama Series

Better Call Saul (Episode: "Winner"), written by Peter Gould & Thomas Schnauz (AMC)
Bodyguard (Episode: "Episode 1"), written by Jed Mercurio (Netflix)
Game of Thrones (Episode: "The Iron Throne"), written by David Benioff & D. B. Weiss (HBO)
The Handmaid's Tale (Episode: "Holly"), written by Bruce Miller & Kira Snyder (Hulu)
Killing Eve (Episode: "Nice and Neat"), written by Emerald Fennell (BBC America)
Succession (Episode: "Nobody Is Ever Missing"), written by Jesse Armstrong (HBO)

Outstanding Writing for a Variety Special

Adam Sandler: 100% Fresh, written by Adam Sandler (Netflix)
Amy Schumer Growing, written by Amy Schumer (Netflix)
Carpool Karaoke: When Corden Met McCartney Live From Liverpool (CBS)
Hannah Gadsby: Nanette, written by Hannah Gadsby (Netflix)
Homecoming: A Film By Beyoncé, written by Beyoncé Knowles-Carter (Netflix)
Wanda Sykes: Not Normal, written by Wanda Sykes (Netflix)

Outstanding Writing for a Variety Series

Documentary Now! (IFC)
Full Frontal with Samantha Bee (TBS)
Last Week Tonight with John Oliver (HBO)
Late Night with Seth Meyers (NBC)
Saturday Night Live (NBC)
The Late Show with Stephen Colbert (CBS)

Outstanding Writing for a Limited Series, Movie or Dramatic Special

Chernobyl, written by Craig Mazin (HBO)
Escape at Dannemora (Episode: "Part 6"), written by Brett Johnson & Michael Tolkin & Jerry Stahl (Showtime)
Escape at Dannemora (Episode: "Part 7"), written by Brett Johnson & Michael Tolkin (Showtime)
Fosse/Verdon (Episode: "Providence"), written by Joel Fields & Steven Levenson (FX)
A Very English Scandal, written by Russell T Davies (Amazon)
When They See Us (Episode: "Part Four"), written by Ava DuVernay & Michael Starrbury (Netflix)

What are your predictions for the winners of these categories?
Stay tuned for the results when the ceremony airs!

Week in Geek #58: HBO Max, Blofeld in Bond 25, Power Rangers Reboot and More

Posted by Anthony Mango - Saturday, July 13, 2019

Welcome to another edition of WEEK IN GEEK here at Fanboys Anonymous—a rundown of some of the events, news and stories that went down over the past few days in the geek culture spectrum.

This week in geek culture Fanboys Anonymous nerd recap

Here are some of the topics I felt like voicing my opinions about:

HBO Max

In the ever-growing trend of people thinking "We should have our own streaming platform!" it's now HBO throwing their name into the hat with HBO Max.

Remember, everybody, this is how cable went, and we're just speeding up the process. There already are too many things out there that nobody can afford to buy all of them, so here's another one that won't be able to fully compete. In no time, this is all going to collapse, and we're going to have people grouping packages together, and then we're back to cable again.

But what's confusing about this is that they are advertising a bunch of other things, like Warner Bros, Cartoon Network, truTV, New Line Cinema, Boomerang, CNN, Adult Swim, TBS and the DC Universe. So is this already HBO making their own cable network that will be like $30 a month and include DC Universe and whatnot rolled into it??

Storm Reid Cast as Idris Elba's Character's Daughter in The Suicide Squad

So he's not playing Deadshot, but he's got a daughter, too? Are they just bullshitting, or did they make him Bronze Tiger and give him a daughter and plan on doing "basically Deadshot again, but let's leave the door open in case Will Smith ever wants to return" by having a copycat character inserted into the same part of the script?

Fishy.

Power Rangers Being Rebooted on Film?

As suspected, it seems like the 2017 film isn't going to get a sequel, but there will be a reboot down the line. I'm equal parts annoyed about that and okay with it. Half the cast was great (Billy in particular was so good) and I liked how they had a more adult tone to things, and how they made Rita a former Green Ranger. But some of the movie just didn't work out perfectly.

Basically, if the reboot is better, then I'll be all thumbs up on this in retrospect. But I don't have the power of hindsight yet, and I'm always afraid things will get worse, and this will turn into a bigger mistake than just carrying on with the previous crew.

Christoph Waltz Returning as Blofeld in Bond 25

Yesssssssssssssssssssssssssssssssss.

Mortal Kombat Will Include Fatalities

Of course it needed to be rated R and has to have the fatalities. If not, that would have been the first thing people would have complained about (beyond the possibility of it having horrible acting or a terrible script or awful CGI, because, naturally, that would be the bulk of the complaints on the critic side of things). I still don't know if killing off certain characters makes a ton of sense for future stories with potential sequels, because it would be strange if they just straight-up murdered everybody except for the winner and then had to start fresh with a primarily new cast for a #2, but we'll see how they plan to address that. Zombies?

WHAT ARE YOUR THOUGHTS ON THESE TOPICS?
LEAVE A COMMENT BELOW!

Welcome to another edition of WEEK IN GEEK here at Fanboys Anonymous—a rundown of some of the events, news and stories that went down over the past few days in the geek culture spectrum.

This week in geek culture Fanboys Anonymous nerd recap

Here are some of the topics I felt like voicing my opinions about:

Casting for The Little Mermaid

Melissa McCarthy for Ursula = I'm not feeling it. She's over the top, and she's heavy, and she's a name for Hollywood, but I feel like this is fan casting you'd see on a message board, rather than actual great casting. She could be awesome, don't get me wrong, but it screams "obvious and uninspired and bland" to me more than "oh wow, she'd be perfect and nobody else could do it better." If Ursula was supposed to be based on a drag queen, shouldn't they go more for someone in that regard? But hey, if that's true, at least it wouldn't be Lady Gaga, who would be an even worse choice.

Jacob Tremblay for Flounder = Sure. Why not? He looks like the character, funny enough.

Awkwafina for Scuttle = I hate typing out her name. She's everywhere nowadays, isn't she? Maybe that's just bandwagoning rather than perfect casting. Scuttle was a male character, and I can see them switching it up just to add more women into the mix, but whatever, I don't really care as much as other people seem to.

Halle Bailey for Ariel = I don't know the girl outside of her WrestleMania performance, which I don't even remember. I hope she's a good actress for the part and not just stunt casting for being a popular enough name. It's definitely feeling like this movie was set up as a checklist for trying to get media attention and all. But she's a singer, so maybe she'll be good. I'm sure a good number of people are going to flip their lid because of the color of her skin and then the other side of the extreme will be equally as annoying in blind support of that and nobody will pay any attention to whether or not she's a good actress, and that'll make her feel awful as a human being (which is so great, right?) and it'll invalidate anyone who dislikes the movie as "clearly" a racist who is only hating the movie because of that, and anyone who genuinely likes the movie will be "some SJW blah blah" who is only supporting it for political reasons. I hate 2019.

In the grand scheme of things, The Little Mermaid is far from my favorite Disney film, so I might not even bother watching this. Just like Mulan.

Jumanji: The Next Level Title / Trailer

Supposedly, that's the title for the next film. I love it. What a perfect way to allude to it being a sequel while giving it a game-related title and not having to go with something like "Jumanji: Jungle Fever" or "Jumanji: Concrete Jungle" with it set in New York, or "Jumanji: King of the Jungle" or even "Jumanji: Law of the Jungle" which I don't know what it would be, but it would just be kind of meh. I dig "The Next Level" a lot.

Now, as far as the trailer goes, I'm not sure how the structure of the film will work, but switching up the characters is interesting. Danny Glover and Danny DeVito are awesome.

Forky was almost Forkface in Toy Story 4

What?! LMAO

Vanessa Kirby May Be Catwoman

Rumor has it Vanessa Kirby could be the front-runner to be Catwoman in the new Batman film. Frankly, I'm not a fan of it. Kirby doesn't strike me as Selina Kyle and it feels more like stunt casting of "who is popular right now" more than who is best for the role, since she's blown up from Mission: Impossible and Fast & Furious.

The Flash Director Situation Changes Again

So now, John Francis Daley and Jonathan Goldstein are also not directing The Flash, and it's going to Andy Muschietti. Here is my surprised face that this project has changed again. What? You don't see a surprise face? That's because it doesn't exist. Typical DC.

WHAT ARE YOUR THOUGHTS ON THESE TOPICS?
LEAVE A COMMENT BELOW!

On the latest edition of the Fanboys Anonymous REVIEWPOINT podcast, host Tony Mango breaks down the hits and misses of Marvel's Spider-Man: Far From Home by discussing what worked, what didn't, and whether you should see it or skip it.

MARVEL'S SPIDER-MAN: FAR FROM HOME (2019):

DIRECTED BY
Jon Watts

WRITTEN BY
Chris McKenna and Erik Sommers

STARRING:
Tom Holland (Peter Parker / Spider-Man), Jake Gyllenhaal (Quentin Beck / Mysterio), Zendaya (Michelle Jones), Samuel L. Jackson (Nick Fury), Marisa Tomei (May Parker), Jon Favreau (Happy Hogan), Cobie Smulders (Maria Hill), Jacob Batalon (Ned), Tony Revolori (Flash Thompson)

Following the events of Avengers: Endgame, Spider-Man must step up to take on new threats in a world that has changed forever.

Make sure to subscribe/follow on whatever platform you're listening, leave your comments on the videos or this post, share this with your friends and geek out with us!



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6 Flicks Picks for July 2019 Movie Release Schedule

Posted by Anthony Mango - Monday, July 1, 2019

Welcome to another edition of 6 Flicks Picks, wherein I list all of the upcoming films that are scheduled to be released in the United States for the month which is about to begin and break down which ones I'll be watching in theaters, which ones I'll wait to rent at home, and which ones I'll be skipping out on entirely. After going through the list, I'll choose which six films stand out to me as the ones I want to see the most, even if there are more or less than six that interest me.

Note: The list below is based primarily off the expanded nationwide USA release dates on IMDB as well as some other random outlets if possible, so some information may be different. If I am missing some of the limited releases or the dates conflict in some fashion, please let me know in the comments below and any adjustments and corrections will be made!

Without further ado, another new month means another new set of films, so what's coming soon to theaters in July 2019?

What movies are coming out July 2019 6 Flicks Picks

RELEASE DATE: July 5, 2019

Spider-Man: Far from Home

Synopsis: Following the events of Avengers: Endgame, Spider-Man must step up to take on new threats in a world that has changed forever.

Will I watch? = Yes

Midsommar

Synopsis: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

Will I watch? = No

Marianne & Leonard: Words of Love

Synopsis: An in-depth look at the relationship between the late musician Leonard Cohen and his Norwegian muse Marianne Ihlen.

Will I watch? = No

Phil

Synopsis: A depressed dentist in mid life crisis tries to learn why one of his happiest patients suddenly commits suicide, and a dark comedic adventure ensues.

Will I watch? = No

RELEASE DATE: July 12, 2019

Stuber

Synopsis: A detective recruits his Uber driver into an unexpected night of adventure.

Will I watch? = Maybe

Crawl

Synopsis: A young woman, while attempting to save her father during a Category 5 hurricane, finds herself trapped in a flooding house and must fight for her life against alligators.

Will I watch? = No

The Farewell

Synopsis: A Chinese family discovers their grandmother has only a short while left to live and decide to keep her in the dark, scheduling a wedding to gather before she dies.

Will I watch? = No

The Art of Self-Defense

Synopsis: A man is attacked at random on the street. He enlists at a local dojo, led by a charismatic and mysterious sensei, in an effort to learn how to defend himself.

Will I watch? = No

Super 30

Synopsis: Based on life of Patna-based mathematician Anand Kumar who runs the famed Super 30 program for IIT aspirants in Patna.

Will I watch? = No

Sword of Trust

Synopsis: Cynthia and Mary show up to collect Cynthia's inheritance from her deceased grandfather, but the only item she receives is an antique sword that was believed by her grandfather to be proof that the South won the Civil War.

Will I watch? = No

Summer Night

Synopsis: A coming-of-age story about the complexities of young romantic relationships.

Will I watch? = No

The Cure: Anniversary 1978-2018 Live in Hyde Park

Synopsis: English rock band The Cure honor their 40 years together with a live concert at London's Hyde Park in July 2018.

Will I watch? = No

RELEASE DATE: July 19, 2019

The Lion King

Synopsis: After the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery.

Will I watch? = Yes

David Crosby: Remember My Name

Synopsis: Meet David Crosby in this portrait of a man with everything but an easy retirement on his mind.

Will I watch? = No

Between Me and My Mind

Synopsis: Driven by a constant need to create, Phish frontman Trey Anastasio takes on new projects, including some of his most personal music to date as well as Phish's ambitious New Year's Eve show at Madison Square Garden.

Will I watch? = No

Into the Ashes

Synopsis: With an honest job and a loving wife, Nick Brenner believed he had safely escaped his violent, criminal history. But his old crew hasn't forgotten about him or the money he stole, and when they take what Nick now values the most - his wife - he has nothing left to lose. Confronted by the town sheriff, who is also his father-in-law, Nick must decide if he will stay on his new path or indulge in his need for revenge and force his enemies to pay for what they have done.

Will I watch? = No

RELEASE DATE: July 26, 2019

Once Upon a Time ... in Hollywood

Synopsis: A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles.

Will I watch? = Yes

Brahms: The Boy II

Synopsis: After a family moves into the Heelshire Mansion, their young son soon makes friends with a life-like doll called Brahms.

Will I watch? = No

Mike Wallace Is Here

Synopsis: A look at the career of '60 Minutes' newsman, Mike Wallace.

Will I watch? = No

6 FLICKS PICKS

Which films make the cut?

6. The Art of Self-Defense — At least if I'm seeing a comedy, I might laugh once.

5. Midsommar — No plans to see it, but if I had to pick, at least this one has buzz from Hereditary supposedly being good, but I didn't see that, either.

4. Stuber — Batista. Comedy. Action. Sure.

3. Once Upon a Time...in Hollywood — Admittedly, as much as I LOVE Reservoir Dogs and Pulp Fiction, I haven't been as impressed by Quentin Tarantino's last bunch of films. But I'll still give it a shot.

2. The Lion King — The Lion King is one of my 3 favorite Disney films (the other two being Aladdin and Toy Story) so of course I'm seeing this.

1. Spider-Man: Far From Home — Bro. C'mon. You know I've had my tickets since they went on sale. Spider-Man is my second favorite superhero.

WHICH MOVIES ARE YOU INTERESTED IN CHECKING OUT?
TELL US IN THE COMMENTS BELOW!

Welcome to another edition of WEEK IN GEEK here at Fanboys Anonymous—a rundown of some of the events, news and stories that went down over the past few days in the geek culture spectrum.

This week in geek culture Fanboys Anonymous nerd recap

Here are some of the topics I felt like voicing my opinions about:

DC Consolidating Comics Labels

Rather than having Vertigo Comics and others continue, there will be only 3 labels going forward: "DC Kids", "DC Black Label" and just regular old "DC".

Their goal is to just clean house, essentially. Vertigo had darker themes, but there's no reason that can't just be DC Black Label (a name I'm not fond of, as I think DC Dark would be better)

Basically, what they're doing is just making sure everything has the DC name to it (which is smart), going with an MPAA style age bracket system of sorts by having DC Kids be 8-12, DC be 12+ (rated T for Teen) and Black Label as the R-rating of 17+.

Makes sense. I'm all for it. Now can you please officially call your films Worlds of DC and stop people from using the "DC Extended Universe" name that is abysmal?

Duke Caboom's Cameo in Incredibles 2

Pixar likes to have a character from an upcoming movie make some sort of cameo in another movie, whether it's Nemo showing up in someone's fish tank or whatever. Apparently, Duke Caboom from Toy Story 4 showed up in the background of Incredibles 2 as one of Jack-Jack's toys. Very neat.

Andy Serkis for Penguin?

Rumor mill says that Serkis could have a role in the upcoming Batman film. Obviously, Penguin is the best fit for him, based on the reports of Two-Face, Firefly, Catwoman and Riddler being the other villains. Serkis would be an awesome Penguin, so I really hope that's the case.

Salma Hayek for The Eternals

The Wrap says Hayek has been cast in this film, which is boasting quite the impressive cast so far. No word on who she's playing yet, though. To be honest, even if that was reported, I would have no idea who that character would be, as I'm not familiar with The Eternals. Still, pretty neat that she'll be involved. She's a great actress.

Paul Rudd Joins Cast of Ghostbusters 2020

Disappointed to hear he'll just be a teacher, rather than something more, but at least he's in it. Very cool.

Peter's To-Do List

Apparently, there will be a short film on the Blu-Ray of Spider-Man: Far From Home that tracks Peter gathering his stuff for his trip to Europe, including the scene from the trailers of him taking out the mobsters.

Charlie's Angels Trailer

Nah. It looks as "good" as every other generic action movie. That trailer did nothing to sell me on it, though. Very loud.

Teen Titan's Go! Vs. Teen Titans

Obviously, I'm older than the target audience, so this doesn't play to my strengths quite the same. However, this is still very cool for fans of the franchises, and I'll probably check it out, despite not watching more than a few episodes of both shows.

WHAT ARE YOUR THOUGHTS ON THESE TOPICS?
LEAVE A COMMENT BELOW!

TOY STORY 4 Movie Review: How Does Pixar's Latest Film Measure Up?

Posted by Anthony Mango - Sunday, June 23, 2019

Toy Story has always been one of my 3 favorite Disney films (the other two being Aladdin and The Lion King—lucky me for this year's film slate, right?) and the trilogy is pretty much one of the only examples I can think of wherein the third wasn't a disappointment, or the series didn't take a dip in the middle, or take the first film to get the ball rolling.

All three films were great, so when Toy Story 4 was announced, I was equal parts hesitant to trust that it was a good idea, and confident they'd be able to pull it off. Now that I've seen the film, though, how does it hold up? What am I thinking about it?

My normal methodology is to do a Reviewpoint podcast for these sorts of things, and I even set up all the templates ahead of time, but I found myself wanting to write a review of this instead, for whatever reason, so we're going to do things a little differently here.

First, I'll hit you with a spoiler-free quick breakdown of my thoughts, followed by the more in-depth analysis that dives into the spoiler territory.

TL;DR

It's not as good as the previous three, but that doesn't mean it's a bad film. It isn't. I just feel like this wasn't all that necessary, and the series ends on a note that I'm less comfortable with than if it had been left alone with Toy Story 3. Some of the characters come off hollow compared to their previous roles in the franchise, to make room for new stars, and I can't shake the feeling that there's a built-in game plan to turn this into something that can result in different spin-offs for Disney+. That in itself isn't a bad idea, but if that happens, I'll feel like it was somewhat cheap to use an underwhelming movie to drive attention to what probably will be the degradation of what was a pretty much perfect franchise. Still, it's not bad, and I enjoyed most of it, so if it looks interesting to you, you should see it.

With that in mind, let's get into some more specifics with the return of a review format called Making the Grade, where we break down the major components of something and give it a score based on the standard report card lineup: A, B, C, D, and F for a total failure.

WARNING - SPOILERS BELOW

movie review Toy Story 4 podcast

TOY STORY 4 (2019):

DIRECTED BY
Josh Cooley

WRITTEN BY
Stephany Folsom (screenplay and story), Andrew Stanton (screenplay and story), Josh Cooley (story), Martin Hynes (story), Rashida Jones (story), Valerie LaPointe (story), John Lasseter (story), Will McCormack (story)

STARRING:
Tom Hanks (Woody), Tim Allen (Buzz Lightyear), Annie Potts (Bo Peep), Tony Hale (Forky), Keanu Reeves (Duke Caboom), Jordan Peele (Bunny), Keegan-Michael Key (Ducky), Christina Hendricks (Gabby Gabby), Patricia Arquette (Harmony's Mom), Jay Hernandez (Bonnie's Dad), Joan Cusack (Jessie), Don Rickles (Mr. Potato Head), Estelle Harris (Mrs. Potato Head), Wallace Shawn (Rex), John Ratzenberger (Hamm) and many more

Woody, Buzz Lightyear and the rest of the gang embark on a road trip with Bonnie and a new toy named Forky. The adventurous journey turns into an unexpected reunion as Woody's slight detour leads him to his long-lost friend Bo Peep. As Woody and Bo discuss the old days, they soon start to realize that they're worlds apart when it comes to what they want from life as a toy.

STORY: C–

Realistically, this is always a story of toys that go on an adventure of trying to get back to the rest of the toys. It's happened enough times that it's the basic template. However, this time around, it's mostly a story of Woody going from being a toy that Bonnie enjoyed, to a sideliner, which he can't quite cope with, as he still even misses Andy.

This is good in the sense that it's true to his nature from the first film of wanting to be the star player and feeling jealous of Buzz Lightyear, but also having grown over the years that he isn't feeling vindictive and spiteful toward Jessie or, eventually, Forky.

But here's where things go a little off for me. Forky is introduced as Bonnie's new favorite toy, and Woody wants him to do his job, as he realizes how important he is to Bonnie, which is why he goes to retrieve him when Forky exits the RV. Then, even though the movie is technically supposed to be about "let's get Forky back to Bonnie", it never really feels like that anymore, to me.

There are too many side plots and not enough focus on just a fewer amount of them. We have Forky's struggle in learning he's a toy and not trash (which is brushed aside too quickly, and, I feel, could have been the entire premise of the movie) along with Gabby Gabby playing the villain role of wanting the love and affection of a child so much that she is willing to do terrible things to get it, and Bo Peep being a representation of lost toys making a future for themselves, and Buzz learning about his inner voice (which is SUPER thin), and Bunny and Ducky wanting a kid, all along with Woody's existential crisis. Oh, and the other toys are just there, waiting.

It all feels like setup. It seems like they want to do spin-off shows for Disney+, where Gabby can be followed with her kid, there's a team of Woody/Bo/Ducky/Bunny/Duke/etc who will have their carnival adventures, and Bonnie will have her team of toys, and there will be tons of different stories that they introduced with plotlines that they'll drive into the ground.

Am I somewhat downing the movie based on future predictions? Admittedly, yes. But even if that doesn't happen, that's the impression I got from the film, which means I wasn't fully satisfied with any of those plot elements.

I think I would have rather enjoyed a 30 minute short story of Forky than a feature film about 6 stories that try to get patched together. Again, a short story about Buzz playing with his voice control to act as his inner voice would have been great, and the jokes were funny, but I wanted more. It feels like this was every lingering idea they had for a potential sequel all thrown together like they had to rush a final season of a television show when they found out it wouldn't be renewed for another year.

At the end, having Woody choose to leave Bonnie and go with the others was a downer in a different way from Toy Story 3. I felt like the first Toy Story ends with it just being a good movie about friendship and the world is open. Toy Story 2 ends with a realization that Andy will grow older, but the toys will still be with each other. Tory Story 3 is a logical conclusion of that point and the acknowledgment from Andy that those toys were special to him, but they will mean more to a new kid than sitting in his attic, and the toys understanding that their purpose is to do that.

Even though I know the takeaway from this is that Buzz and Jessie have it covered for watching over Bonnie, and Woody feels he'll be more useful trying to apply his skills to others, my own psychology of it felt like that was more upsetting than hopeful. I don't think you're wrong for loving it, as everyone has their own thoughts and feelings on those types of things depending on their emotional spectrum, but since there's a variety of different opinions on stuff like that, I acknowledge that it didn't resonate with me the way I wanted it to.

For another example, if you liked the movie The Watchmen, and how it ended was amazing to you, I can't say that you're wrong. All I can say is that it felt nihilistic and depressing to me, and like the writer had a different goal in mind than what I would have liked to experience as someone going to be entertained. This sounds super dramatic, and it's certainly not the end of the world, but I almost feel like Toy Story 4 ends in a way that makes me feel sad and less content about the series as a whole now, rather than if it had just ended with Toy Story 3, as I was more than fine with that for the past few years, and I don't think the positives we got out of the film were necessarily worth it. But that's just me.

ACTING: A

The acting is rock solid all around. A+ on that, as expected.

CHARACTERS: A

Basically, if you loved the previous movies, you gotta love the OG gang.

Woody is such a bro, helping out all the time and all. The man.

Buzz has always been a bit blissfully ignorant, and I liked the whole inner voice thing a lot.

Bo Peep was repackaged as "bad ass female warrior chick" and I kind of feel like that was manufactured, but I didn't hate it. At least she was back. Having her missing the previous one felt awkward.

Forky was the star. That little spork was amazing, and again, I think I would have liked this way better if it was just a series of shorts, wherein one of them revolved entirely around Forky and it didn't deal with this antique shop and getting back to Bonnie. Just a story of Woody trying to turn Forky around from being trash to a full-on toy.

Ducky and Bunny were funny, but not the standouts, to me. The same went to Duke Caboom, which was good for a joke or two, but a little lacking.

Gabby Gabby was effective as a villain for like two scenes, and the rest felt rushed.

Giggle McDimples was fun, and I loved some of the random extras like the Combat Carls (particularly the one who didn't get the high-fives until the post-credit scene).

Hamm has always been great. He got nothing here. The same for Mr. Potato Head, but that was understandable, as Don Rickles had passed away. Still, it's a shame, as those are great characters who I wouldn't have been tired of seeing more of. The same for Rex and Slinky Dog.

Jessie, I've never been the biggest fan of. Meh.

Buttercup was a standout, and I think it's crazy how many name actors are in this that I didn't even realize, like Bonnie Hunt, Betty White, Bill Hader, Timothy Dalton and so on.

VISUALS (FX, MAKEUP, COSTUMES, SETS): A

They know what they're doing.

MUSIC & SOUND: C

No memorable song, but you can't get more memorable than "You've Got a Friend in Me". Sound was no problem, though, so I'll give this the middle range to balance it out. Nothing was bad.

TONE (ACTION, ROMANCE, COMEDY): B

ACTION: Good action, but nowhere near as good as the previous movies. Again, a little hollow.

COMEDY: Forky was the best. I laughed at almost every character at least once, and it did its job there, especially with some surprises like the unicorn. However, the bittersweet nature of it all downgrades this to me.

ROMANCE: I do like that Woody and Bo are still a thing, as that was present from the very very beginning of the first movie.

FINAL GRADE: B

Ultimately, I liked the movie, but I feel like it was unnecessary. Everything was done better in previous movies, and it felt like too many stories to properly serve any of them. Maybe another pass of the script would have made all the difference of going from a "good" movie to a "great" movie like the other three.

It's still good. There are still positives in it, and I still enjoyed it, but if I'm honest, I didn't enjoy it as much as I was hoping I would.

What did you think of Toy Story 4?
Is it just as good or even better than the previous 3, or does it fall short?
Drop your thoughts in the comments below!

Welcome to another edition of WEEK IN GEEK here at Fanboys Anonymous—a rundown of some of the events, news and stories that went down over the past few days in the geek culture spectrum.

This week in geek culture Fanboys Anonymous nerd recap

Here are some of the topics I felt like voicing my opinions about:

Battletoads E3 Trailer

The music is classic. The animation reminds me of Earthworm Jim (not the biggest fan of that, but at least it's going to stand out). That original game was HARD and I wonder what the difficulty for this one will be in comparison.

Beast X-Men Spin-off Leaked Screenplay

I haven't read it (no time), but the X-Men: Fear the Beast script was put out there and supposedly revolves around Beast fighting Wendigo with Mr. Sinister being a manipulator behind the scenes.

You know what? The movie would have sucked, but the idea is pretty damn neat, especially if someone could tweak the concept some more to include Alpha Flight (Sasquatch) and more like that. It could work as a good episode of a new animated series or something.

Hunger Games Prequels Coming Soon

Basically, the studio was like "Crap! We need another hit, but we don't want to risk anything. Let's just do more Hunger Games stuff, cause that worked."

We don't need it.

Shang-Chi Casting Rumors

Supposedly, Ludi Lin (Zack Taylor from the Power Rangers reboot film) could be Shang-Chi, and Donnie Yen could be a mentor of sorts to him.

I'm certainly not knowledgeable about Shang-Chi, but I think Ludi Lin has a lot to offer, and I like the idea of this casting duo.

1985 Horror-Themed Spider-Man Movie Idea

Apparently, director Tobe Hooper pitched an idea for a Spider-Man film (basically in name only) in 1985 that would have seen Peter Parker (as an ID photographer, for some reason) being experimented on by a Doctor Zork, who bombarded him with radiation to turn him into an eight-armed spider creature (kind of like Man-Spider). Peter would be suicidal after turning into this monster, and he would fight the other creations that Doctor Zork made, rather than being their leader.

This is awful in so many ways. It doesn't even seem like it would come off as a good What If story for a one-shot comic, let alone a film, let alone the first movie adaptation of Spider-Man. It's almost like it was pitched by people who have never once heard of Spider-Man and just assumed that the story, from its name, was about a literal spider man. By that rationale, let's do a Batman film where Bruce Wayne is turned into Man-Bat, and an Iron Man film where Tony Stark is converted into solid iron in robot form or something. Yeesh.

Sam Raimi's Spider-Man films weren't perfect (although I maintain the best one was the first one, not Spider-Man 2, which I know is an unpopular opinion) but at least they were like 95% representational of the character and its spirit. The same even goes for the Marc Webb ones. This is just an entirely different level of WTF where, somehow, even the James Cameron idea looks better in comparison.

The King's Man

That will be the title of the Kingsman prequel. I like it a lot. It definitely gives off a vibe of being a foundational sort of thing, like how Johnson as a surname could be derived from "John's son" and whatnot. Very cool. Hopefully, this is as good as the first movie and not underwhelming like the second.

Luke Skywalker is a Force Ghost?

Mark Hamill recently spoke at the premiere for Child's Play, saying he gets to come back for Episode 9 as a Force Ghost, and people are acting like that's in the slightest bit a surprise. Of course that's what will happen. We have tons of previous material that point in that direction. If he said he WASN'T going to be a ghost, then that's what would be news.

Josh Gad is Not The Penguin in New Batman Movie

Of course he isn't. Just because he's heavy doesn't mean he should be Penguin. I hate when people do that with fan casting. It's just like when people say the only candidates to play Lex Luthor are people who are already bald, or Mary Jane Watson can only be played by a redhead instead of someone who just dyes her hair red. Think more on it. Josh Gad never would have been a good Oswald Cobblepot.

Batman Receiving Walk of Fame Star

Among the honorees for the 2020 Walk of Fame, Batman, the fictional character, will be receiving a star. How has that not happened yet???

WHAT ARE YOUR THOUGHTS ON THESE TOPICS?
LEAVE A COMMENT BELOW!

Marvel's Falcon and Winter Soldier Disney+ Show Ideas & Story Pitch

Posted by Anthony Mango - Wednesday, June 19, 2019

Ever since it was first announced that there would be spin-off television shows on Disney+ that would deal with the Marvel Cinematic Universe, I've been trying to think of what this could all be about and where I'd like to see these different shows going.

I had some ideas heading into Avengers: Endgame, but after seeing that film, some of them changed, and now, I'm more convinced than ever that I have a good idea for at least the Falcon and Winter Soldier series, which I wanted to toss out there in case not only am I right about where they're going, but possibly have an even better idea. Plus, I'm interested in knowing what YOU want in these shows and your thoughts on my concept.


Basically, since Sam Wilson as given the shield from Steve Rogers, who is definitely stepping down from the mantle of Captain America, this show has to be about Sam reinforcing how he's earned the right to fill those shoes. He has Steve's blessing, but it isn't quite the same.

To give him that hurdle that he has to cross, he needs someone standing in the way of that, and that person should definitely be John Walker.

Storyline backstory on Walker: He grew up in Custer's Grove, Georgia. In the comics, he idolized his brother, Mike, who was a helicopter pilot who died in the Vietnam War. We have to change that a bit to work with the times, so for this, Mike either needs to be his father to keep the Vietnam thing going on, or Mike needs to have served in Afghanistan or something like that. (It depends on if you want to keep the idea of his father and mother, Caleb and Emily, getting killed by the Watchdogs, who have appeared on Agents of S.H.I.E.L.D. or if you want to just skip over that). The point needs to be that he idolizes a family member who died during combat, and while he wants to live up to that, he's unable to.

Let's incorporate some different elements by having Ethan Thurm be his manager and/or friend, possibly doing the whole Unlimited Class Wrestling Federation angle, blah blah. He goes by the name of Super-Patriot. Or, maybe, that's just his nickname throughout the hero community with him trying to be the next Captain America.

The point we're getting at is that, through the help of "the Power Broker" Curtiss Jackson, he is given powers that allow him to become the government's choice for the next Captain America replacement, wherein he takes the shield and starts working alongside the Avengers and S.H.I.E.L.D. and so on. This could be The Commission of Superhuman Affairs or Freedom Force, if you want to give them either of those names.

He fights whatever throwaway villains you want him to fight. Maybe it's the Serpent Society. Fabian Stankowicz. Skeleton Crew. I would DEFINITELY suggest Dennis Dunphy, aka Demolition Man for this. For that matter, maybe we can even play around with Grand Director William Burnside being in control of this program and nominating Walker for the role, wherein we find out that Burnside is a white supremacist and his racist attitudes are part of why he didn't want Sam Wilson to be a black Captain America.

But Walker is far more brutal than Steve ever was, and it's causing problems that Sam feels responsible to deal with, as he's disparaging the Captain America name. Maybe his parents are killed by the Watchdogs and that's what makes him snap, or maybe he's just a jerk. That's a more specific story element, whereas I'm giving a general outline here. (Side note: Left-Winger and Right-Winger totally have to be brought in here, too).

Basically, Sam struggles with the Walker situation. But what are we doing with Bucky? Well, his primary villain is Flag-Smasher.

Flag-Smasher has been a few people, so let's play around with that and make them two people, or possibly even a group, but primarily two. These Flag-Smashers are Karl Morgenthau and Guy Thierrault. (Note: toss in a Captain Anarchy reference, if you can). They are anti-nationalism and basically want people to dissolve the idea of countries and so on. Essentially, they're terrorists, so they would absolutely hate the idea of another Captain America.

Bucky is involved in this part of the story because we need someone who seems like a parallel to him, too, and these people come off as the type of evil that Winter Soldier was and could have been, had Bucky not been able to break free from him programming.

Maybe, if you're feeling very bold about the future, the Flag-Smashers could kill a young group of superheroes called the Liberteens. If you don't want to kill them off and save them for a future thing, no biggie.

When push comes to shove, John Walker's Captain America isn't good enough to deal with this threat of the Flag-Smashers and has lost control of his psyche, and it's up to Sam and Bucky to not only restore faith in the Captain America name, but to take down the Flag-Smashers, stop their big evil plan of the madbomb (yeah, we're pulling that out) and to overthrow Grand Director Burnside.

And they do. Sam feels ready for the mantle, and he's given full-on clearance from Nick Fury to be the next real Captain America, Bucky feels a little more vindicated in his quest for redemption and is seen as more of a hero in the community, Grand Director Burnside is replaced by Valerie Cooper, who is not a total racist scumbag, and all is well...sort of.

Thunderbolts are definitely coming, with the government wanting their sanctioned Suicide Squad knockoff version of the Avengers. So at the end of this, we get confirmation that Freedom Force or whatever you called it is still in effect, as just because Burnside was a horrible person doesn't mean they don't still have the same goals in mind. Dr. Valerie Cooper is, in part, in control, as well as General Ross and whomever else you want to steer the ship, but we know some of the other members that are in recruitment can be all sorts of different people (Atlas, Fixer, Beetle, Karla Sofen, Songbird, whoever..maybe even the next Black  Widow, Yelena Belova). We know one of the people in the group, though, is Helmut Zemo.

Walker is approached with joining the team. His head is not in the right place to be the Captain America this world needs, but he still wants to do good, he's still a valuable asset with powers, and he's someone they feel they can control if given the proper missions. He's rechristened USAgent and we're off to the races with basically the person who will be the Rick Flag of Marvel's Suicide Squad story, in a sense.

What do you think of this idea?
Is the combination of the madbomb, USAgent, Flag-Smashers, Grand Director, other throwaway villains and a tease for Thunderbolts coming at the end a good mix?
Do you have any other ideas you think would be great to see?

Drop a comment below!

Week in Geek #54: Geena Davis on GLOW, Avengers Video Games and More

Posted by Anthony Mango - Sunday, June 16, 2019

Welcome to another edition of WEEK IN GEEK here at Fanboys Anonymous—a rundown of some of the events, news and stories that went down over the past few days in the geek culture spectrum.

This week in geek culture Fanboys Anonymous nerd recap

Here are some of the topics I felt like voicing my opinions about:

Why Dark Phoenix's Release Date was Delayed

Supposedly, James Cameron wanted to make sure Alita wasn't around Aquaman, Bumblebee and Mary Poppins Returns, so when he pushed Alita to February, they moved Dark Phoenix to allocate more room for it.

It didn't work for either movie. Alita didn't make much of a splash and Dark Phoenix isn't doing well.

I don't think a different release date would have helped these movies drastically, as if a movie is good enough, word of mouth will spread. It's 2019. It's not like it was 30 years ago.

Geena Davis Joins GLOW

In season 3, she'll be a "former showgirl turned entertainment director of the Fan-Tan Hotel and Casino" which sounds like it's right up her alley. She's got the look for that, 100%, and could play well into the comedic, yet serious nature of the show. Definitely looking forward to it!

DLC for Marvel Ultimate Alliance 3

The most recent news to come out of The Black Order game is that there will be more characters available as DLC from Fantastic 4, Marvel Knights and X-Men, but no specification on who those might be.

Obviously, I'm assuming the F4 will be...you know...the F4. Reed, Sue, Johnny and Ben. But maybe, if they have any more in the mix, Doom and hell, even She-Hulk? She was a member for a bit.

X-Men characters that haven't been confirmed already, but would make sense, could be Cyclops, Colossus, Gambit, Rogue..maybe Cable?

Marvel Knights, I'm thinking Moon Knight, Punisher, Shang-Chi (gotta build to that movie and get people more familiar with the character). Maybe Ronin?

Marvel's Avengers E3 Announcement

Ooof. I was really excited about this, and this just didn't land well. It seems I'm not the only one who felt that the story seemed lacking, the character models looked poor, and the selling points were weak. I'm not a gamer, but this seemed like something from PS3, rather than something I'd expect to get in 2019, and it just doesn't come off as something must-see or must-get. I'm sure I'll watch someone's let's play of it, but I went from thinking "FINALLY there's a console Avengers game, which makes no sense after all this mobile-only crap the past decade" to "....well...that's disappointing.."

Natalie Gumede Cast as Mercy Graves for Titans

Not feeling it. She doesn't strike me in the slightest bit as a good choice for Mercy, and with the way DC has done their films and their TV service and this Titans show, too, even, I'm just assuming it's another bad decision, as there are more things that point in that direction than evidence that would back up "give it a chance!"

Phantasm Coming to DC Comics Continuity

It's taken all this time? Hey, better late than never. While I don't think they could do a full-on translation of Andrea Beaumont and everything that happened in Mask of the Phantasm, I like the idea that she could potentially be an ex-lover of Batman who is a primary Catwoman villain. Here's hoping that's the direction they go down.

WHAT ARE YOUR THOUGHTS ON THESE TOPICS?
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The third and final season of Marvel's Jessica Jones (which is, incidentally, the final season of all these Netflix Marvel shows) has premiered. I normally try to binge these shows and give my running commentary of thoughts as I watch every single episode, but I've finally learned my lesson to not bother doing that this time around.

These shows are too hard to do 13 hours starting at 3am EST, particularly as I always feel like 4 or 5 episodes' worth of material could be trimmed to stop dragging it all out. In particular, I feel like the Jessica Jones series has especially suffered from that, so I just cannot justify doing that much work this time around.

However, I still felt the need to watch the show, so now that I've finished every episode, it's time for another Reviewpoint podcast to break down season 3 in an overall sense by discussing the hits and misses and everything else I thought along the way in a general sense.

Netflix desktop Marvel's Jessica Jones wallpaper

Marvel's Jessica Jones (Season 3 - 2019)

SHOWRUNNER: Melissa Rosenberg

STARRING: Krysten Ritter (Jessica Jones), Rachael Taylor (Patricia "Trish" Walker), Carrie-Anne Moss (Jeri Hogarth), Eka Darville (Malcolm Ducasse), Jeremy Bobb (Gregory Salinger), Benjamin Walker (Erik Gelden), Aneesh Sheth (Gillian) and Rebecca De Mornay (Dorothy Walker)

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X-Men Characters Who Should Not Be Mutants

Posted by Anthony Mango - Monday, June 10, 2019

The X-Men series is equal parts some of the best storytelling in the superhero genre, with absolutely marvelous (no pun intended) characters who have incredible depth and nuance, as well as 50% "what the hell is this doing in this story?"

Like all comics that have been around for so many decades, the creators and writers took it in so many different directions that pretty much everything has been done at some point, and in my mind, a lot of it shouldn't have been.

To me, X-Men is best when its core is simple, and it can be expanded on in more philosophical ways. By that, I mean the foundational structure of the series is the mutant phenomenon and how life is like when you're different.

There are so many ways to tell the story of "the troubles of being different from the norm" because there are so many variations to what "different" means. Some mutants have a physical deformity and can't blend into normal society by sheer looks alone. Others have troublesome powers that prevent them from getting close to people, or makes others afraid of them.

It's all about alienation and how the "regular people" or the "average citizen" would be scared, inhibited, confused, discriminatory, aggressive toward, or, hey, even excited about the mutants.

But this is all muddied up when the X-Men series crosses over with the regular Marvel universe. Why would people be up in arms over mutants, but have no issues with Thor, Captain America, Spider-Man (save for J. Jonah Jameson, of course) and others who have powers? They're still superhuman and there's no way you can say Angel poses more of a threat to the human race than The Fantastic 4.

And that got me thinking a long while back on the idea of the reverse: characters from the X-Men series who would probably work even better if they were NOT mutants, but just regular members of the Marvel Universe similar to Iron Man and Luke Cage.

So now that Dark Phoenix has this even more at the forefront of my mind, I present to you my unofficial list of X-Men characters who should not be in the X-Men series, should not be mutants, and so on.


Note: I'm well aware some of these characters are not actually mutants themselves, but the general idea I'm going with is "characters who should be used in other series in Marvel other than the X-Men series and some of them shouldn't be mutants even in other context" which is not a snappy title.

Everything Alien and Magic

As a general rule of thumb, I don't think anything about the alien or magic side of the X-Men series should be in it—at least, not in that context.

I want my X-Men to be like Beast—one of the absolute best characters in this series. He's very clearly a mutant based on his appearance, but he also has major benefits that come about from that, with his increased strength, agility, and senses. Even more so, he's not entirely defined by his appearance, because he's pretty much "the smart guy" on the team, and that goes to show how he's more than his looks.

Give me Stacy X (although I'd much prefer her being named X-Stacy) who can use her mutation of pheromone manipulation to be the best damn prostitute out there. Give me Husk and Rogue and whatnot.

What you shouldn't give me is the Starjammers having space adventures with aliens from the Shi'ar Empire and the M'Kraan Crystal. Why, in a story about mutated humans, are we talking about the nexus of all realities in the cosmos? And yes, that means the Phoenix Force should not be a thing. I know that's controversial, but there's no reason why Jean Grey can't just be a super powerful mutant with D.I.D. or whatever, rather than being a vessel for all the life that has and ever will exist in the multiverse.

Instead, all of those aliens should just be regular alien races in the Marvel universe, without being factored into the X-Men series. Gladiator shouldn't be more of an X-Men character, he should be more of an Avengers character.

What the hell is Mojo World? Everything revolving around Mojo sounds like it was a backdoor pilot introduced in X-Men that they were hoping would be its own corner of the Marvel Universe completely unrelated. And you know what? That's what it should be. The whole Mojoverse story idea with Longshot and the Running Man sort of television series works better as a general Avengers plotline than the X-Men. Shatterstar, too, of course.

And this goes for the magic side of things, too. Juggernaut should not have anything in his origin based on demons from other realities. More on him later. The same for Scarlet Witch.

Lockheed shouldn't be an actual pet dragon that hangs around Kitty Pryde. That makes no sense. That's like the type of thing you'd hear a studio executive say when they're looking at notes of how to get viewers on the 5th season of a sitcom. "What if she had like, a pet? People like pets. I know, a dragon! That'll sell lots of toys! And then, we can introduce Cousin Oliver!" Instead, Lockheed should be her childhood stuffed animal, or maybe the name of her normal cat or pet lizard or something. Not a magical dragon.

Sorry Magik. You don't have magic powers. In fact, you probably don't need to exist at all (like 90% of the telepaths and such).

Quicksilver, Scarlet Witch and Juggernaut

So let's dig into these, as I mentioned them with the magic side of things.

Nothing at all makes sense with Juggernaut being in the X-Men series with the backstory he's been given, and there are three possible ways to get around that to make a better version of the character:

1. Cain Marko is Xavier's stepbrother and is jealous of his powers, so he undergoes experimentation with mutant blood/genetics/whatever and ends up Juggernaut. He himself isn't a mutant, but he's powered by mutants.

2. Cain Marko is whoever (it doesn't matter if he's related to Xavier) and he is a mutant with exactly the same powers as Juggernaut. His origin is simplified. He's just a mutant, like in X-Men: The Last Stand, but...you know...not a horrible movie.

3. Cain Marko is whoever. He's completely unrelated to the X-Men series and he receives his powers through whatever means you want, and is an Avengers villain, rather than an X-Men villain.

And since we're on the topic of magic not having a place in the X-Men series, that means Scarlet Witch, too. But her character, as well as Quicksilver, is even more complicated, as their backstories are all over the place.

There's already a history of them being in the Avengers, so that's good, and the Marvel Cinematic Universe has gone a long way in the right direction (in my mind) in steering the Maximoff twins away from the X-Men franchise, but the idea of their lineage is where some fans get in a tizzy.

For a long while, Magneto was their dad. That's even the case with the Michael Fassbender and Evan Peters versions of the characters in the three most recent films. Frankly, I say toss that aside in favor of some of the other explanations of their characters.

The Inhumans, to me, are just "poor man's X-Men" and something that shouldn't exist, for the most part, at all. In fact, it should be merged with the X-Men franchise in some fashion. More on the concept of merging further down this post. But I say, don't make them Inhumans, either.

Products from the High Evolutionary is a much better explanation that I'd like to see them stick to. Make it so they were created out of experimentation with science (Pietro) and magic (Wanda) to explain their powers and make them just regular, non-mutants, because there's nothing inherently "mutant" about someone like Quicksilver, in particular. He's just fast. That sounds more like an Avenger than an X-Man. And Scarlet Witch is in a world with too many telepaths as it is, so taking her out of the franchise and making her more along the lines of the marriage between a Professor X and Doctor Strange is more up my alley.

Storm

Woah. I know. Hold on there. Don't crucify me. Let me explain.

Storm is too good for how she's used in the X-Men series, which is hampering her growth considerably.

She's constantly being overtaken by other people in her roles. For instance, she's a great team leader, but she serves no purpose when Professor X, Beast and Cyclops are around, because Xavier is the philosophical one, Beast is, in many ways, the Vice Principal, and Cyclops is the field leader. What does Storm get to do?

She isn't the troubled youngster. That's Rogue, in some incarnations, or Jubilee, or Kitty Pryde, or Dazzler, or whatever. It's never Storm. She's not the funny one. She's not the crass one. She's not the tough one. She's just this super awesome character who happens to always be pushed aside.

You can get the sisterhood relationship that comes about with herself and Jean Grey by replacing Storm with one of the other women, namely Rogue. If she's out of this franchise, you don't have to worry about nerfing her powers, as she's too OP for most fights and they always have to just treat her like she doesn't know what she's doing.

There's nothing "mutant" about her. She's a beautiful woman who has her head on straight, can command respect, lead her troops, present great moral code and tear the house down with her INSANE superpowers.

If Storm were not a mutant, and were just a regular character in the Marvel Universe, she could be Marvel's equivalent of Wonder Woman: a symbol of female empowerment who is one of the top foremost members of the Avengers on par with the other big guns like Thor and Iron Man, who can not only help out with massive threats like Galactus, but also be such a damn good humanitarian.

Imagine Storm, without the baggage of being a mutant and having to play fifth-fiddle to other team members, booked (wrestling term) as someone who is an A-lister on the power spectrum like Sentry and who spends her time doing things like trying to correct the ecosystem because of how connected she is to Earth and mankind as a whole.

We need this version of Storm, not the character who is always pushed aside in favor of Wolverine and others, who are also great, but never make room for her.

Arcade

While Arcade is not a mutant, nor even an X-Men exclusive character, it seems like he hovers around that franchise more than anything. But there's no reason for him to be tied to that series so much, rather than maybe only guest starring in one story.

I imagine it this way: Arcade's Murderworld is like an underground fighting league, mixed with a carnival, but on steroids. He creates these elaborate traps and this amusement park with robots and everything that is customary with the character, and his targets are based on contracts that could be anything at all.

For the most part, it's not related to the X-Men. He can capture Spider-Man and put him through the games after Norman Osborn hires him to do so. The same could happen to Daredevil, or Jessica Jones (ooooh that would be interesting), or Wonder Man, or Ant-Man!!

Just as much, someone with an anti-mutant agenda could hire him to take out a bunch of mutants, and that's where one story of the X-Men comes into play. But that would be one story, or a few random ones at times, rather than happening on such a regular basis.

The Sentinels

Just kidding! I wanted to see who was paying attention. There's no way these aren't still in this series. They're a staple.

Forge

What a horrible life to live when you're a mutant who has the curse of being able to understand technology really well and be super good at engineering.

WTF? How does that work? "Being good at machines" isn't a mutation, that's a skill! He's just Tony Stark without having to think about it, which is less impressive.

Forge shouldn't be a character with a "power" at all, because he should just be a regular member of S.H.I.E.L.D. or something who happens to be damn smart with technology. There's absolutely no justification behind him being a mutant.

The only way I could accept Forge being a mutant is if a byproduct of this "power" was that he could control machines, like his brain was constantly connected to the internet and he could communicate telepathically with electrical interfaces and whatnot. Then, sure, you can make him someone who struggles to interact with people unless he's talking to them via social media or through a screen, and he could have trouble understanding social cues because humans are tough to read, but machines are simpler.

Just being able to tinker around with mechanical devices, though, isn't a mutation or power.

Thunderbird, Warpath, Proudstar, etc

If your character is broken down as "Captain America, but (insert another ethnicity or country allegiance)" who is basically just a regular human, but at the athletic level of someone who is maxing out their potential, you're not a mutant.

Just look at the Proudstar brothers. John's powers are listed as "superhuman senses, strength, speed, stamina, and studiness / trained unarmed and hand-to-hand combatant." Being trained in combat isn't a power, and having heightened normal abilities is just Captain America.

James/Warpath has the same things. He's a "skilled hunter and tracker"—nothing superhuman. He's got the same bump up in senses and strength and all. He uses vibranium knives, which anyone can use. The only difference is that he's got an enhanced healing factor and flight, and that's just not cutting it for me.

Instead of having two variations of this character and having him in the X-Men franchise, they should've just trimmed him down to "the Native American equivalent of Steve Rogers" and called it a day.

And that helps transition us into a final topic that was previously alluded to...

Franklin Richards

In an update from November 2020, they've retconned Franklin Richards to not be a mutant anymore and I'm super down for that idea. I didn't include him on this list originally because he's not an X-Men character, but I figured I'd mention it here.

On the Concept of Merging...

There are far too many characters who have the same exact purpose, too similar powers, or just serve no fundamental purpose for having multiple versions of. Unless one of them is a villain, there's no need to have two of the same thing.

I couldn't possibly begin to list everything, because telepaths alone are in the hundreds at this point, it seems, which all just takes away from characters like Xavier and Jean, who would be considered more special if there weren't dozens of other equivalents around.

For instance, Emma Frost is just an answer for the question "what if we had a sexy Professor X, but didn't want to use Jean Grey?" Yes, she's a villain, and yes, she has her diamond abilities, but that illustrates even more how she should just be a villain who can turn her skin into diamond form, as opposed to a telepath.

Controversial point of view, but I think since Jean Grey has never stuck to a codename, she and Psylocke should be merged together. This would help with Jean's lack of a physical power to help in battles, since she could have the psychic energy blades, and the name works with her powers, too (she's locked in her psyche).

Morph is just a lame version of Mystique. Maybe you can make the case that he's on the good side and she's a villain, so they can serve different roles, but at most, those are your TWO shapeshifting characters you need. No more.

Who needs Polaris when you have Magneto? Just because they wanted to give him a daughter?

Pyro. Sunfire. Sunspot. Firestar. Basically, "fire control." Okay. I know that there are differences, like Sunfire being more on the radiation side of things, but that's where they should make the differences more unique and distinct.

Siryn is just basically Banshee, but in daughter form. You only need one of them.

With just a few tweaks, there isn't much different from Jubilee and Dazzler. When you boil them down, one is a teenage girl who can make fireworks and the other is a teenage girl who makes fireworks. The differences is are in their ethnicity, Dazzler is a singer and that's how she converts sound into light, while Jubilee shoots them out of her hands. You can easily just make that one character who is a combo. Give her the codename of Dazzler, nickname her Jubilee after her full name of Jubilation Lee Blaire (mixture of Jubilation Lee and Alison "Ali" Blaire) and have her be an Asian teenage girl who can control and create light by doing things like turning her singing talent into a light show or shooting fireworks from her hands. Hell, if you want to change things up a bit more, change her from Chinese to Korean and have her be in a K-pop band. It's not that hard to cover all bases with minimal characters.

And that's just scratching the surface!

I am by no means an expert who can name you all the variations of all the characters that have been introduced. I know nothing of Rockslide and Hellion. I can't tell you everyone who has ever been in Alpha Flight. But I do know that there is a TON of clutter in the X-Men franchise and if this were a computer being defragged, a lot could be cleaned up.

But what do you have to say on the subject? Are there other characters you feel would be better off not being in the X-Men series and either being merged or made just parts of the regular Marvel universe? Drop a comment below and tell me what you think!

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