Fanboys Anonymous

Review: Magneto #9 by Cullen Bunn and Gabriel Walta

Posted by Sean Hamilton - Sunday, September 14, 2014

Magneto 9 AXIS Cullen Bunn Bariel Walta Marvel
Magneto #9 Cover by David Yardin
The March to AXIS begins here!

Magneto has returned to Genosha in search of uncovering the what the Red Skull is doing on the once-upon-a-time mutant refuge. But what Magneto discovers leaves him first shocked and then resolved to put an end to more mutant atrocities.

What happens when a magnet loses it magnetism? It leaves behind a rusty lump of old metal. Magneto surely must be feeling similar given the latest issue (nine) of Magneto.

As Magneto sneaks onto the former island he once ruled firmly, he discovers a scene that is all to familiar to the concentration camps he was confined to in his youth.

The contrasting of atrocities from the camps of Nazi Germany and the camps of the Red Skull are a deliberate aspect explored in the plot. The fact that the Red Skull is a World War II relic heightens this fact.

However, as was the case in the camps of his youth, Magneto is struggling again with his mutant powers when confronting the X-Men in Magneto #9. The events of AXIS are poised to hold a lasting impact for both the Avengers and X-Men, and Magneto is going to play a large role in this. As the first to discover some of the intricacies of the Red Skulls actions on Genosha, Magneto is on center stage to the first act of AXIS.

Magneto 9 AXIS Cullen Bunn Bariel Walta Marvel
Magneto returns to Genosha.
It remains to be seen if he will survive the experience in one piece though.

Cullen Bunn has set up a strong narrative line in the Magneto series and this is going only enhances by Rick Remender's AXIS. The dark feeling Bunn delivers is matched my the tight rope that Magneto must walk as he strives to right wrongs against mutants. All thought of redemption has long been pushed aside, the only thing that matters now is the future for all mutants.

Bunn's collaboration with Remender is pushing some of the ideas that were proposed for Magneto however, the story so far has been a great read. There are surprising twists and developments that were unexpected.

All of this is strongly supported by a unique artistic style from Gabriel Walta and Jordie Bellaire.

Bellaire's colouring is overwhelmingly appropriate for the setting of prisoner camps. The use of dark colors, shadows, and light play provide a stark contrast to other titles in the Marvel X-Universe. It is a positive to be recognised in this manner.

Magneto 9 AXIS Cullen Bunn Bariel Walta Marvel
The horror hits home to Magneto.
Walta's artwork is likewise characteristically sombre and dark for the story material. The artwork evokes the anguish of concentration camps and the struggle against oppression that needs to be demonstrated for audiences to buy into the need for Magneto to be the 'good guy' in this series. Magneto is an anti-hero, but we are provided the right reasons to know why we should be on his side through Walta's interpretation of Bunn's scripts.

The end of the book leaves hanging to hope for more out of Magneto's noble determination to right the wrongs being perpetrated against mutants on Genosha. It doesn't look up for him though.

I can't get enough of this series, it seems to be riding a strong wave of artistic endeavor that I hope will continue strongly after the events of AXIS. We have one more issue before the major Marvel event proper hits us in October, but what did you think of Magneto #9? What have you liked about the series so far? What do you think the future holds for Magneto? Leave your thoughts and comment below.

All-New X-Men Cover 30 Brian Michael Bendis Sara Pichelli Marte Gracia Angel and X-23
All-New X-Men #30 Cover
by Immonen, Grawbadger and Gracia
There's been a lot going on for the All-New X-Men lately.

The number of teams of future mutants, alien encounters, and general all round bad guys trying to send them back to their own time or put them down has meant that they have seldom had any time to bond or just take stock of their situation.

All-New X-Men #30 provides an uncanny look at how the teams dynamics are changing amidst their current situation.

It is great to see Brian Michael Bendis take this step and to witness the interesting relationships that are developing as a result.

Not everything has to be about grand adventures through outer space or through time. Sometimes it is good enough (and more interesting) to see what happens in between the grand missions. Case in point is the relationship of Angel and Laura (X-23) in All-New X-Men #30. We have seen this set up from the last issue but I wouldn't have seen it happening a lot further back than that.

Earlier in the series we saw young Cyclops and X-23 begin to form a friendship, but with the formers sojourn around space with the Star Jammers in his own solo series, any development here could not be realised. The absence of Cyclops from the team has in turn paved the way for Angel to step up.

Angel X-23 relationship All new x-mem interior art sara pichelli
Angel and X-23 spark a relationship.
Angel and X-23 has been through a lot, as we are reminded in the opening pages of issue #30, so the chance to kick out and blow of some steam is a great piece of characterization. This is couple with the role of Jean Grey and Emma Frost back at the new Xavier School.

Emma has confronted Jean and is attempting to help train her and overcome some insecurities herself. The momentum and build up provides a nice counter weight to the Angel/Laure setting in this issue. The pace of the story feels right and enough attention is paid to the imagery, a employed by Sara Pichelli, to direct us to the end result. This is not surprising given the artistic collaboration between writer and artist is well established at this point (they have worked together for a number of years now on this and other Marvel series).

All-New X-Men #30 is by no means a fill in issue, but a transition from the Brotherhood of Mutants arc to the coming Ultimate Universe arc. In using this issue to reflect on the relationships in this lead characters, something Bendis is known for, we will need to keep these in mind for later issues as the relationships will be tested.

Sara Pichelli's art is, as per usual, top quality. The artists are changing on All-New X-Men and Mahmud Asrar will take over the art duties from issue #31. The transition looks like it is going to be quite seamless and painless for us as an audience from the preview art of the next couple of issues that Marvel have released.
All-New X-Men #30 interior art jean grey Sara Pichelli
Jean Grey vs. Emma Frost

Marta Gracia's colors remain dynamic, I particularly liked the hologram imagery of Star Lord in this issue. There are other ample panels where Gracia displays great colour use but the standout would have to be the Emma Frost/Jean Grey split panels.

All-New X-Men continues a strong run as a series and it will be interesting to see if any other main characters have an influence in the up-coming AXIS event from Rick Remender in October.

What do you hope for these characters?

How did you like this issue of All-New X-Men?

Leave your comments below.

Review: Death of Wolverine (2 of 4) by Charles Soule and Steven McNiven

Posted by Sean Hamilton - Saturday, September 13, 2014

Death of Wolverine #2 Cover Steven McNiven Charles Soule
Death of Wolverine #2 Cover by Steven McNiven
Poison.

It can take a while for some poisons to kill a man, let alone a mutant.

Wolverine is still with us, hanging in there, but not without a little help from an old friend.

We are now half way through the Death of Wolverine by the end of this issue.

Lets take stock of the story so far by Charles Soule. Wolverine has very limited time left, he is resigned to this fate. He has battled a cybernetic Nuke to find out he has a huge hit on his head. This in turn leads him to Mardripoor to find out who wants him dead and why.

This issue of Death of Wolverine plays an important role in connecting the pieces of the story together. We are introduced to further characters to the tale but ultimately part two of the story aims to lead us further along rather than resolving the narrative. Key to this is the exchange Wolverine has with Deathstrike.

Following Deathstrike's realization of Wolverine's new found weakness due to his loss of the healing factor, we are surprised to see Kitty Pride backing him up as the issue comes to a close.

Death of Wolverine #2 art Steven McNiven Charles Soule Madripoor
The Madripoor night line beckoning to Wolverine.
The highlight of Death of Wolverine #2 has to be the pitched battle that could have been, between Sabretooth and Wolverine. The animosity and history behind such a fight would be epic at this point, however Soule has taken a great route in teasing this only to have it finish with Sabretooth being allowed to walk away. This will undoubtedly have ramifications for the Logan Legacy series which will continue to explore the relationship between these two characters further after Wolverine's demise.
The production quality remains at a high standard, I certainly don't have any qualms about paying the little bit extra on this series. The layout has returned to a more standard comic variant with advertising inserted back into the format. Although we still get a few pages of bonus material at the back. This is the same as the first issue; some script to art transition pieces and 'directors cut' narration.

Steve McNiven, Jay Leisten and Justin Ponsor don't drop a beat artistically. In fact it is great to see such wonderful collaboration in play. Ponsor's colors are bold and dramatic to compliment the sense of drama we are witness to in the Death of Wolverine.

Death of Wolverine #2 art fight scene by Steven McNiven
Sabretooth vs. Wolverine
A stand out spread in issue #2, is the Sabretooth versus Wolverine 'dream' sequence. This vision from Wolverine of what could be viewed as the coming showdown or a combination of previous encounters, showcases the pencil work of McNiven and the inks of Leisten fabulously. It also great to see the pacing of the story manipulated to the tenth degree to drive home the story being told. Where fewer panels are required, fewer are used, but when action is needed, the count goes up. The variation of pace works so well that the story flowed without hesitation. This is balanced in the same manner by the lettering of Chris Eliopoulos, as he puts Soule's dialogue to the story.

The continuation of the sense boxes being employed embeds this dimension as a unique aspect of this series. It is the little surprises like this that make this such a great read. Another example is the depiction of Wolverine himself in this issue, when compared to the last. In Death of Wolverine #2 he is a wearing a cleaner, sleeker look than I was expecting, the 'disguise' fooled me and made me do a double take.

I continue to look forward to the next issue, which skips next week and is out on September 24th. The anticipation only heightens the sense of satisfaction as I get to enjoy this series. Are you looking forward to the next installment also? What have you thought about the Death of Wolverine so far? Leave you thoughts and comments below and catch us back here next time for issue #3.

Yeah, boo-hoo, Andrew Garfield. You can't have it both ways. That's not how storytelling goes. There's been plenty of chatter about a potential director's cut of The Amazing Spider-Man 2 (ASM2), even an online petition to get it released on Blu-ray and DVD. It hasn't happened, partly because director Marc Webb doesn't have the pull with Sony to make this possible. Webb also doesn't have a clue about pacing or storytelling.

If you want proof of that statement, watch the deleted scenes for this film, whose omission Garfield blames for the mediocre reception the film had upon release. Sorry Andy (can I call you Andy?), stuffing more into an already overstuffed mess will NOT make it better. What the film needed was more cutting, more streamlining of scenes that went nowhere. The film lacks focus, not extra exposition, which is what the deleted scenes are.

the amazing spider-man 2 series review
Garfield claims the entire "whole" of the picture worked in the script when they filmed it but during the cutting process, taking out those pieces is what doomed the final cut. No, no, no a thousand times no. I've watched the deleted scenes, they add nothing of any value to the film, only a longer running time. ASM2 clocks in at around 2:22. You really wanna add another half an hour + or more? Really? It should be three hours long!? C'mon, Andy, you're smarter than that.

I know what he meant, and I appreciate him defending a film/character he loves dearly, but blaming the studio for "interference" is a cheap way out. Understanding good pacing, streamlined storytelling techniques, and proper editing is what was needed. Not his fault at all. It goes back to the screenwriters and the director who approved the shooting script as it was.

During the commentary of the deleted scenes, Webb addresses none of the problems inherent in the scenes, either from a storytelling/writing perspective or a directing viewpoint. He only repeats the same thing, that every scene was awesome, that the acting was great, that it was painful to remove them... which in some respects I agree. The actors did the best they could, and Webb isn't bad with actors, he does okay with that aspect. It's just everything else that's poor. Which is sad because Garfield is a great Spider-Man who is committed to the role. There are some nuggets within ASM2 I really liked, it was less dour than the first film in this rebooted series, but it's all buried under extraneous bloat that should have been cut down, and subplots that aren't worth exploring.

Is Garfield right? Did Sony's tampering with the final cut ruin the film? Going forward with this series, what can save the slide into mediocrity? Sound off below.

Nightcrawler #6 Chris Claremont Todd Nauck Rachelle Rosenberg
Nightcrawler #6 Cover by Todd Nauck
and Rachelle Rosenberg
Nightcrawler #6 is a swashbuckling romp for its title character and the young student from the Jean Grey School, Nico. There is a good amount of action, and the art, by Todd Nauck and Rachelle Rosenberg, is at its usual high standard.

Chris Claremont picks up the story from the last pages of Nightcrawler #5 providing us a seamless transition between the issues. I really enjoyed the previous issue and found the story more grounded as I reread it. Issue 6 sets the conclusion for this arc of the series.

In this issue, Nightcrawler and Nico intercept the Crimson Pirates and attempt to stop their nefarious plan to kidnap a new mutant named Ziggy Karst. What ensues is a great display of rescue action. The main set piece is split between Nightcrawler, who fights the pirates, and Nico, who rescues the trapped bystanders and Ziggy.

The story itself is very straightforward, although it does seem to wrap up very quickly. It is obvious that this issue is making way for a new story, as made clear at the end, for the fallout of the Death of Wolverine. This means that the plot stops abruptly and leaves aspects of the narrative that I would like to have seen explored further.

The role of Ziggy as a new mutant is left hanging by the book's end. Nico and Nightcrawler both seem to hint at her being able to fit in it the JGS, but this is not bought to fore in the overall story. The resolution of the rescue setting in this story, while a logical outcome, doesn't bring much development to the plot, with the bad guys vowing to exact revenge in a clichéd move.

NIghtcrawler #6 Chris Claremont Todd Nauck Nico Bampf
Nighcrawler and Nico en route.
What the story leaves unanswered aside, the promise of the impact of the death of Nightcrawler's best friend is tantalizing as a fan. I hope Claremont can bring his wonderfully insightful storytelling abilities to the fore for the next issue. Nightcrawler #6 was filled with classic Claremont narration from the first person. The pages are filled with narration boxes and a lot of dialogue, giving letterer Joe Sabino plenty of work in this issue.

For their part, Nauck and Rosenberg continue to show great form on this series. The pencil and line work from Nauck has an lovely appeal for younger audiences, but is easily able to satisfy older readers also. Nauck uses an average panel count of 4-5 panels per page through this issue. That pacing is just enough to keep things ticking along, though this combination with the heavy dialogue means that at times the page may read longer than it could have otherwise.

Rosenberg's colors are perfectly suited to the style of art from Nauck. The appropriate blues and purples that are associated with Nightcrawler's character are used to effect. A true test for an artist's work in comics is to compliment the story and not distract from the overall feel of the narrative. This is what Rosenberg is doing in Nightcrawler #6. You don't have a sense of stopping during the story to decipher the art, the transition and flow of imagery being such that you can just keep reading. Ultimately this is what any publisher wants for its audience.

Nightcrawler NIco fight flee bampf Marvel
Nico and Nightcrawler are an unlikely pair.

Nightcrawler #6 continues a good run for the artists involved. This is a nice solo X-Men series which expands the x-universe and lets its characters develop for current audiences. This is just part of a rise in solo series featuring X-Men that have enhanced Marvel's repertoire. I have enjoyed reading each of them so far, and hope they continue to last. With the impending loss of the stalwart Wolverine and the game changing event in AXIS, it will be interesting to see how the X-Men come out on the other side.

What did you think of Nightcrawler #6? How have you found the series so far? Given that we have already dealt with the death and resurrection of Nightcrawler, do you think Wolverine's death will have a lasting impact for this Nightcrawler? Let us know and leave your thoughts below.

Cheats and Walkthrough for GTA VWhat is up Dacetacular Nation? The Dace Man is back to bring you the latest trailer news and trailer from Rockstar Games!

In our current time of next generation systems such as PS4 and Xbox One, we are seeing many of our previous generation games getting the old high definition makeover in order for gamers to pay fifty to sixty bucks for the game once again. Today, I bring you the latest makeover re-debuting on the shelf! Grand Theft Auto V is heading to our next generation systems and boy am I pissed. Yup, I just bought GTA V maybe six months ago and beat it on PS3. Thank you Rockstar, for re-releasing it on PS4, because clearly I need another version of the game.

Well Fanboys and Fangirls, here is the trailer. Will you be turning in your previous generation versions to get this crisper version with a few additional features? The Dace Man won't be.



As always, check back regularly to see what Chris "The Dace Man" Dace is looking at (and no, not just porn), as well as all of the other bloggers here at Fanboys Anonymous. Remember, keyboard warriors: leave your feedback! Until the next time, for the few, the proud, and, of course, the Dacetacular, grab a beer—and in this case money you can throw away—and check out what's going on here in the Dace-Sphere. See ya next time!


Listen live to The Dace Man Show every Wednesday at 8 p.m. EST on Mega Powers Radio.

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The Dace Man Show Ep 64 - Semag Studio

Posted by The Dace Man - Friday, September 12, 2014

Hey, hey, hey, Dacetacular nation! Check out Episode 64 of The Dace Man Show with hosts Dace, Gibby, and Frank Ward. This week they are joined by very special guests from the game Semag Studio.

Top Celebs in Hollywood news and rumors

::SPORTS NEWS::
  • Current MLB standings
  • NFL week 1 is in the books!
NFL Week 2 Predictions.
::WEIRD NEWS WITH GIBBY:: 
  • Weird stuff going down.
::FRANK'S CORNER::
  • What do rock stars request before shows?
::CELEB NEWS::
  • Celeb birthdays from August 21st to August 27th
  • The Stache' is back on Jeopardy!
  • Celeb Death :(
  • And much, much more!
All that and more, only on The Dace Man Show.




Listen live to The Dace Man Show every Wednesday at 8 p.m. EST on Mega Powers Radio.

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Some news about the next Pirates of the Caribbean movie reminds me of why I've been disappointed about this series for a long time. On one side, I get excited in the back of my mind when they announce another entry into the franchise. Then I see the movie, get crushed by disappointment because it wasn't any good, feel disgusted that they tricked me into shelling out cash to see it in the theaters, and vow to never let this happen again.

Orlando Bloom Pirates of the Caribbean 1 Johnny Depp
Well, here we are with the announcement of Orlando Bloom perhaps joining up with the other primitive screwheads involved in making more films, in particular Pirates of the Caribbean: Dead Dead Men Tell No Tales, coming out in 2017. Bloom has confirmed he is in discussions to reprise his role from the first three films. He says he is open to the idea, has been in some talks about it, and that he would love to work with Johnny Depp once more.

Johnny Depp is confirmed to play Captain Jack Sparrow in the film, and that's fine. So is Geoffrey Rush joining up with the crew. What's not okay is the slipshod writing, and bloated mess of a movie the third one was. I was fine with the second, it's bloated too and unfocused, but there's just enough of the goodness from the first one present to be passable. Watching the third one, At World's End, was one of the worst theater experiences of my life. Ugh. Painful, pointless, and awful.

The fourth entry in the series, On Stranger Tides? Well, at least it was shorter so the pain didn't last as long. I knew it would be bad, I knew it would be disappointing, even before I went to see it. Why did I go? Because I falsely believed the franchise would redeemed itself. I am a big, big fan of the first Pirates film, The Curse of the Black Pearl. I keep hoping they get back to that level of fun, exciting adventure on the high seas. But hey, hope in one hand, you know what in the other....

Is there hope left for the Pirates franchise? Can they ever regain their mojo or are they lost at sea? Can I think of some more ocean related cliches? Sound off below.

Another iconic piece has been added to the puzzle that is Batman v Superman: Dawn of Justice. After a Twitter photo gave a grainy look at Zack Snyder and Co.'s take on the Batmobile, a publicity photo was released showing off Batman's ever-present vehicle in all it's armored glory.

batman v superman dawn of justice batmobile WB warner bros dc comics zack snyder ben affleck

Of course, minutes after the reveal, the internet started complaining. "What's with the turret on the Batmobile? Zack Snyder is ruining my life again!" (That's actually just what I imagine it sounding like. I've seen some of the commentary and much of it is unprintable without heavy censorship.) People are taking issue with the violence the Batmobile design suggests Batman is willing to perpetrate. Other people are taking issue with those people, pointing out that the Dark Knight's pretty much always been well-armed, especially when it comes to his vehicles. Let's examine this predicament like sensible fans.

batman batmobile tumblr batplane batwing batboat batsub batpod batcycle DC comics
Toys, but a good representation of Batman's arsenal. And they're COOL toys.

The 1960s Bat-vehicles had less in the way of weaponry and more in the way of oddball Bond-style gadgets with rather specific uses—shark-repellent Bat-spray, anyone? This, of course, is in keeping with the tongue-in-cheek tone of the show that's fondly remembered but no longer in vogue. Dennis O'Neil and Neal Adams' darker grounding of the Batman comics in the 1970s effectively destroyed that wistful 50s-60s sense the show drew upon, but it wasn't until Frank Miller's seminal The Dark Knight Returns that mass audiences were purged of the campy Batman. That tale, obviously, provides heavy basis for the upcoming Dawn of Justice... but take a look at the Batmobile from that story: 

frank miller the dark knight returns batmobile wb warner bros dc comics batman
At some point, he swore to the reader that it only fired rubber bullets. Uh...

batmobile tank batman robin frank miller the dark knight returns
A better view of the beast.
Miller brought a hard and jagged edge to Batman's entire world, and returned a darkness that was channeled into 1989's Batman film directed by Tim Burton. That, too, featured a Batmobile with bombs, rockets, and machine guns, in addition to the Batwing, an aircraft with more of the same. The vehicles of the later films, Batman Forever and Batman and Robin, displayed fewer capabilities of Batman's means of travel, instead morphing into increasingly flashy disco-cars. The well-regarded Batman: The Animated Series in the 90s kept all of Batman's vehicles, all featuring less weaponry.

Christopher Nolan's trilogy didn't shy away from heavy weaponry. Indeed, the famed Tumbler was built as a military vehicle, as was the airborne Bat from The Dark Knight Rises. Both vehicles bore rockets and cannons, but were (mostly) shown to be used for non-lethal means. Think on Batman speeding the Batpod toward Joker in The Dark Knight. For all that weaponry, he never used it on a person—not even his ultimate villain. Sure, he blew walls, doors, cars and trains to smithereens, and machine-gunned an armored car carrying a bomb in an attempt to divert it, but Batman generally shows restraint in his usage of heavy firepower.

For everyone who has a problem with guns on this Batmobile, what sticks in their craw is Batman's otherwise ironclad rule against using guns. That's the weapon that killed his parents, so Batman chooses not to use lethal force and not to use firearms. Again, in The Dark Knight Returns, the Caped Crusader stops an army of young Batman devotees from using guns. "This is the weapon of the enemy," he declares, breaking a shotgun in half. "We do not need it. We do not use it." In more recent comics, he teaches his born-and-bred assassin son Damian that their way, the non-lethal way, requires more discipline, control and strength than if they were simple killers.

batmobile batman v superman dawn of justice twitter zack snyder warner bros dc comics
One of the original images. A dusty, bird's-eye-view look at the new Batmobile.

I too admit to some discomfort with the idea of lethal weaponry deployed by Batman, but only insofar as the filmmaker understands the character. Some have pointed out that Batman may need the extra firepower to combat Superman, as the title of the upcoming film suggests, which makes sense. But there have been plenty of technological innovations comic creators have gifted to Batman's vehicles that are non-lethal and just as effective against Batman's usual roster of baddies. That kind of thing speaks not only to Batman's vow and aforementioned discipline, it speaks to something I feel has almost always been missing from live-action adaptations of the character: his intelligence, not just as a detective, but his brilliance as an innovator and crimefighter.

My ending thoughts? I think the design is pretty cool. It's a sleek tank of a machine, an armored drag racer made for cutting through the Gotham streets. I dig it. It has to be properly utilized, however, and that's what we all must wait to see. Who knows—this Batmobile might be loaded with rubber bullets too. If this is going to be one part of his arsenal against Superman, though... probably not. Do you like or hate the design? Do you think it says anything about the character of Batman in this iteration? Fire away in the comments.

Download Weird Al's album Mandatory Fun for freeWhat is up, Dacetacular nation? The D-List is a weekly Top 10 countdown with me, The Dace Man, and I'll run down my top 10 picks!

After a week hiatus, join me in the sixth episode as I give you my Top 10 Weird Al Parodies! I will sound off on the comedic songs that morphed me into the weird individual I am today! Fanboys and Fangirls, jump on board the crazy train as I venture across generations of Al Yankovic. I'll journey through time to bring you some of the classic parodies as well as current parodies from the man, the myth, and the legend that is "Weird Al"!

Did I mention one of your favorite parodies? Am I listening to the right songs? Lastly, for the sixth week, did I manage to outrage the interwebs? Go grab a drink, maybe some snacks, and kick back and enjoy The D-List  for the week of September 8th!



As always, check back regularly to see what Chris "The Dace Man" Dace is looking at (and no, not just porn), as well as all of the other bloggers here at Fanboys Anonymous. Remember, keyboard warriors: leave your feedback! Until the next time, for the few, the proud, and, of course, the Dacetacular, grab a beer—and in this case a list—and check out what's going on here in the Dace-Sphere. See ya next time!

Listen live to The Dace Man Show every Wednesday at 8 p.m. EST on Mega Powers Radio.

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I've dealt with a great deal of confusion and consternation over the next Terminator film coming next summer, entitled Terminator: Genisys. Is it a reboot, a remake, a re-imagining? What is this thing? I initially thought it a remake/reboot of the franchise and didn't like the idea because I feel like there could be one more in the core series, one more film to link up the promise of the first one; I want to see John Conner and the survivors of Judgment Day smash Skynet to bits, and win in the end finally, thus setting off the chain of events that leads to the original T-800 terminator going back in time to kill Sarah Conner in the first place.

arnold schwarzenegger terminator film series
Thanks to director McG's shoddy work on Terminator: Salvation, that is not happening. The rights to the film franchise were sold off soon after because the company that owned them, The Halcyon Company, filed bankruptcy. So the man who claimed would be "bringing back respectability to the franchise" McG, killed the franchise in its initial form. Nice going, bub. Just the fact he threw a dig at Terminator 3: Rise of the Machines by the above quote irks me to no end. Shut your mouth and do your movie and stop talking smack about others. What kind of name is McG, anyway? Are you still in Junior High?

So what is a franchise to do? Wipe the slate clean, of course. Not only will Terminator: Genesys kick off a new trilogy (fingers crossed), but it will also spin-off a TV series, a la The Sarah Conner Chronicles. Ever since the massive success T2, the franchise has been desperate to somehow capitalize on that success. I liked T3, it was a slam bam, well made action film that fulfilled the promise of the original film: they blew everything up. Judgement Day happened. That's hardcore.

What will this next film be? I'm calling it right now: it will be nothing but a fan appeasing, PG-13 rated, sissified version of the story that will appeal to the widest possible audience. All I've seen of it thus far points in that direction. Arnold will play an "older" T-800 model, a machine that has worn its human skin for so long it has wrinkled and aged. Huh? This is so stupid. The skin on the Terminators in the first three films doesn't last long at all, the machines are too busy fighting and killing. Plus, can't they replace it? What kind of wussy world is this that the skin lasts for 30 years? See what I mean? They are starting weak by using fan service by including Arnold at all, and this is the lame compromise.

terminator genisys film plot leaks
The director, Alan Taylor, has stated the film will tie directly to the original 1984 film. He says there is a scene where we see that early scene with Arnie's Terminator screen with Bill Paxton and the punks he kills to take their clothes. Right after, the older Arnold comes on screen, bearded and whatever, and off we go I guess. Taylor is suggesting it will be like the second Back to the Future film, where we see Marty McFly running around during events of the first film, in the background.

They are attempting to piggyback the first film, audiences' nostalgia for it, and what they think will appeal to new comers to the franchise. They might do some CGI chicanery with Arnold's face on a younger stunt double like bodybuilder Aaron Williamson, who has posted online about working on the film, but has given no further details. See, there is a lot of secrecy surrounding the film. What are they hiding? The lagoons of offal?

However, despite this, we do know most of the core cast and the parts they will be playing. Sarah Conner, an older, grown-up John Conner, Kyle Reese, his father, Arnold's T-800, and the T-1000. Why would the T-1000 be in this? Is this a reboot of T2? This is what gives me a bad feeling about this film. It's like they have to stuff everything they can into it because they want to cover their bases. Now, if it were Christopher Nolan direction something this potentially complex, I would have hope. But when it's the director of the mediocre Thor: The Dark World, my heart sinks.

Am I wrong? Will it all come together and blast the Terminator franchise back into the heights of box office success? Sound off below.

My favorite Bond villain has passed away at age 74. Richard Kiel was one of the few recurring villains for the vaulted franchise, playing the monster/henchman Jaws for two films. Considering his massive frame, he topped out at 7' 2", 74 years of age is pretty robust. Andre the Giant only made it to 46. These big guys aren't built to last and it makes me sad.

richard kiel jaws james bond villain
In The Spy Who Loved Me and its follow-up, Moonraker, Kiel played menacing Jaws, the giant with the metal teeth, capable of killing you with his bare hands by strangulation or biting your neck like a vampire. I'm serious. He did that a couple of times. Playing opposite Roger Moore's Bond, Jaws was completely frightening. Moore was a big guy during his peak, around 6' 1", but looked tiny compared to Kiel. YouTube some of their fights, Moore looks like a baby compared to him.

Richard Kiel also played a great part in Happy Gilmore. He played Mr. Larson, freakish boss to Adam Sandler's golf maniac Gilmore. In addition to this, he played a bad guy in Silver Streak, starring Richard Pryor and Gene Wilder. Kiel was scary in that part too, but always struck me as a sweet guy during interviews. It's always that way; the big guys look scary but are softies underneath.

Some Bond fans take issue with Jaws switching sides at the end of Moonraker and becoming a "good guy," but I think it's great. It's a complete character arc, from shallow, one dimensional thug to someone that understands when he is being used and decides to step up and do the right thing. I'll also remember Kiel as the giant alien in one of the best Twilight Zone episodes, To Serve Man. It's a great one.

Any other favorite roles/memories for this unique actor? Sound off below.

Resident Evil Revelations 2 Coming to Consoles and PC Early 2015

Posted by Michelle Quillen - Thursday, September 11, 2014

Is the fact that zombies are still lurking amongst our top-picked pop culture franchises a sign that the reanimated fad is literally undead? If you're a follower of the Resident Evil games, this is good news for you.

Resident Evil Milla Jovovich nude movie video game survival horror

Capcom confirmed last week that a follow up to their 2013 HD-version of Resident Evil Revelations will be coming to consoles and PCs for the US and Europe in early 2015.

character artwork Chris Redfield naked sister guns costume
Resident Evil Revelations 2's familiar survival horror story unfolds with time-honored character Claire Redfield, who we've seen survive the challenges of Raccoon City. She is employed by Terra Save, an anti-bioterrorism organization, along with company rookie Moira, the daughter of Barry Burton. The two protagonists are taken against their will to an unknown and solitary setting where weapons and ammo, not unlike in previous games, are strewn throughout halls and rooms where enemies lie in wait.

With an episodic release that players may recall of previous versions, Resident Evil Revelations 2 will be phased out in various formats in a progression very suitable for suspenseful gameplay. Four episodes, each replete with the gasps and thrills one would expect of RE notoriety, will be available for weekly digital download at $5.99 each. Once all four installations have been rolled out, the Complete Season with additional game content, will be available digitally for $24.99. A retail version of the Complete Season will simultaneously make its debut for $39.99. The retail version will include the same additional game content found on the the digital version, yet with even more gameplay. Further details about the extra content are soon to be announced.

sexy daughter new game character innocent short shorts cosplayThe game is playable by 1-2 players, with the assistive co-op play mechanic found in past titles. One can switch between Claire and Moira to take over the nimble and threatening "Afflicted" in single player mode with AI, or offline co-op. Along with Moira’s introduction to the story is her ability to blind enemies with her torch before Claire sweeps in to finish them off.

Find out which mode works best for you when Resident Evil Revelations 2 comes to PlayStation 4, PlayStation 3, Xbox One, Xbox 360 and PC in the beginning of next year. Need more specifics than that? Keep your finger on the pulse (or lack thereof?) of Resident Evil action with Capcom's updates on the official website and the Resident Evil Facebook page.

Do you think you'll pay to play each weekly episode of Resident Evil Revelations 2 as they are released, or for the price, just wait for the Complete Season? Let us know in the Comments section below, where you can continue to converse with our survival horror fans on what the game has in store for us ahead.

Afflicted Claire fighting weapons ammo franchise preview

Fox to Develop Series Based on Sci-Fi Thriller Minority Report

Posted by Unknown - Wednesday, September 10, 2014

One of my favorite science fiction movies of all time is getting a TV adaptation. Directed by my favorite director, Stephen Spielberg, and starring one my favorite actors, Tom Cruise, Minority Report was a seminal experience, a fantastic thriller/drama/sci-fi pulse-pounding ride from start to finish. There are shots and scenes in this film that resonate with me to this day, in particular the part with Cruise's John Anderton and precog Agatha shoulder to shoulder speaking on the future, and how he still had a choice. It's so simple yet so effective, as many of Spielberg's shots are.

tom cruise steven speilberg action film minority report
If this complex, dystopian future world is to be revisited on the small screen, the writers and production designers have a difficult job ahead of them. In the film, the world feels real and lived in. It is as if you could walk directly into the screen and feel at home; maybe not comfortable, but it would feel like our world only pushed forward in time. The details and depth of this social and judicial configuration could be done well in another medium like television. The original story was written by Philip K. Dick so there is built-in sociopolitical complexity that I pray they employ and expand upon.

Based on what we know about Fox's commitment to a pilot for a show about this film, I think only the bare bones of the concept will make it to TV sets around the world. It will be set 10 years after the events of the film, putting it around the year 2064. This is after the precrime unit has disbanded in Washington, D.C., and the show will follow one of the precogs who is struggling to lead a normal life. Supposedly this precog is a male so it won't be Agatha; but regardless, he is haunted by visions of the future, then meets a female detective with a troubled past. So I guess they are flipping the gender roles on us in relation to the film. Further details are unknown at this time.

Will this show work? Does it have legs to make it long on the air? Sound off below.

This is just the beginning. Episode VII has resumed filming, cameras have been rolling for awhile now, and from now until its release on December 18th, 2015, there will be news like this trying to predict or pick apart what Episode VII will be. This is just the latest iteration, but it contains some interesting tidbits and corroborates some of what we've heard already.

star wars episode vii 7 jj abrams harrison ford mark hamill carrie fisher jedi sith empire rebels
Relax, it's a fan logo. Cool though, right?

The following news reportedly comes from the second draft JJ Abrams and Lawrence Kasdan wrote for Star Wars: Episode VII. The leak originates from a 4chan thread, here. I've copied the post text itself below, and again, MASSIVE SPOILERS POTENTIALLY FOLLOW. If you don't want to know anything at all about Episode VII, this article is not for you.

That said, read on.
  • Leia is made leader of the Republic after her predecessor's death
  • Han is a retired veteran of the Republic fleet
  • Luke hasn't been seen in nearly 30 years
  • The lead character is Han and Leia's daughter
  • The other lead is the child of Lando, and either a male or female depending on who is cast
  • The other lead is a Stormtrooper, also either a male or female depending on who is cast
  • Dialogue for these two characters is very rough in the second draft
  • Luke has no known offspring
  • The Empire still exists in the form of a number of loyal galaxies and are in a state of cold war with the Republic
  • The Empire is simply referred to as the "Empire," and the Republic is referred to formally only once, as the "Galactic Republic;" no "New" anywhere
  • There are no Jedi whatsoever, and people still speak as if they are extinct, with Luke being "the last of his kind"
  • The main antagonists are an older student of the Emperor, and his apprentice
  • The apprentice takes control of the power dynamic between the two pretty quickly...
  • The Republic are excavating ruins on a neutral world for a weapon; the world factors into tense negotiations the Empire have had with the Republic, and is referred to as the "Sith Homeworld"
  • Loredump: In the script, the Sith are a couple thousand years old, founded by an ancestor of Palpatine called Ruin; the apprentice in this film also goes by that name
  • The ruins within the Sith Homeworld are a control station; the planet itself is the weapon
  • Luke saves the day at the end, but in a bad way; he has changed

Wow. There is a lot of stuff here. Let's break it down a few chunks at a time.

The fate of the original trio—Luke, Han, and Leia—is pretty straightforward. Leia's in charge of things, Han's retired (and still flying around the galaxy, though in a different ship, having lost the Falcon in a game, I hear). Luke has gone the Obi-Wan route and disappeared.

The new leads indicate an interesting direction for the story. One main character, naturally, is Han and Leia's daughter. Makes total sense in continuing the story. Another lead is Lando's kid, which is a nice touch. That gives us two central, if you will, characters. These are people who come from the thick of it, from the heart of the Galactic Republic. Side note: that name, I think, will change. There were clear dividing lines between the Rebel Alliance and the Empire in the original trilogy, and this new one is certainly going to try and channel that. And a reversal of position between the trilogies is an interesting idea, a small but well-armed collection of Imperial sympathizers and the larger Galactic Republic.

But the other lead, this says, is a Stormtrooper. This is interesting, because the new trilogy, Episodes I-III, seemed to establish that Stormtroopers were all clones, and of Jango/Boba Fett, no less. Perhaps the Empire has run out of clones, or the capability to create them, in this era? Having an Imperial main character, and a grunt no less, gives us more of a fringe character (as opposed to the central ones above). This is someone who can tell some of the other side of the story, and who might also be more unpredictable in their development.

Now, what I've heard about the basic plot says that two new characters end up flying with Han and Chewie (again, in some new vessel) as they search for Luke. Apparently Luke exiled himself a number of years ago after no one believed him about some threat, and now they know he's right and are trying to seek him out. This could be the pair of offspring, Han and Leia's daughter and Lando's child. It's possible, too, that the Stormtrooper character could be involved in this. Maybe he or she got left behind after a battle or was taken prisoner. Either way, they all find Luke, and the rest of this plot dovetails with what's above: the group goes thwart the threat of the Sith Homeworld, which is I've heard tell is a planet-weapon capable of destroying solar systems.

It's a little derivative, if so. The original trilogy had a moon-like space station, a Death Star capable of annihilating a planet... so in THIS trilogy, we'll have a whole planet be a weapon, and it can control the next biggest thing, a whole solar system! Shades of Michael Bay, almost, unless it's well-handled. It makes some sense to employ such a doomsday weapon if the Empire is trying to take back their rule; just blast all of the dissenting systems to smithereens until there's nothing left but Empire. I must say, I like the idea of the Empire being in "a state of cold war" with the Republic. It's a less overt conflict, one that feels protracted and lengthy. It makes sense—although the Death Star, Emperor, and Darth Vader were destroyed at the end of Return of the Jedi, it stands to reason that in an entire galaxy, there would be other bases or centers of power owned by the Imperials. Entire other fleets, even, and Grand Moffs to run them.

A lack of Jedi is another cool factor. It's another thing that makes the Return of the Jedi victory hollow, an incomplete victory, a battle rather than the war. With the Sith destroyed and Luke now a Jedi Knight, it might have been assumed that the Jedi would return. Much of the Expanded Universe material takes this path. It's a much bleaker universe without the lighter side of the Force, and that tells us something about the tone of this film, especially in concert with the "cold war" and "tense negotiations" between the Republic and Empire. I doubt Luke will actually prove to be "the last of his kind," but it's a nice setup.

The new Sith villains make for a new dynamic as well. Another student of the Emperor's makes sense, as Palpatine was looking to replace Vader with Luke at his side anyway. I've even heard tell Palpatine shows up in this trilogy as a force ghost, a la Obi-Wan Kenobi and Yoda. Let's assume for a moment Palpatine left this unheard-of pupil's training incomplete due to, y'know, being tossed down into the core of the collapsing Death Star by his other student. He could be overtaken in knowledge and ability by his apprentice, who "takes over the power dynamic between the two pretty quickly." Maybe the would-be master isn't moving as quickly or with as much drive as the apprentice thinks is necessary, and so is deposed. There are exciting hints about the nature of the villains within this leak.

The most intriguing bit, however, I think comes last. "Luke saves the day at the end, but in a bad way; he has changed." Hot damn. This could mean so, so many things. My initial thought is that Luke has to tap into the Dark Side of the Force to save the day, maybe to destroy the planet-weapon or the planet itself. That would be a bad way to save the day, and it would change him. After that, too, what happens to him? Does he fall prey to the Dark Side like his father before him? Does Luke become the new villain for the remainder of the trilogy? This is pure speculation, but I would watch those movies. And maybe he doesn't go full Dark Side, but I would bet he has to use questionable techniques with the Force in order to save the day.

All that said, I think that while it's laudable and sensible to draw upon the more beloved Star Wars trilogy for inspiration in shaping this new one, I hope they don't mine it too heavily. This is for two reasons: one, the Star Wars universe is open and rich enough that any number of new, entertaining stories could be (and have been) crafted that would satisfy the masses and the fanboys alike. They don't necessarily have to trade on the merits of what came before.

Secondly, however, I hope this trilogy doesn't undermine the original, either. By that, for example, I refer to the continued existence of the Empire in Episode VII. The ending of Return of the Jedi was meant to suggest that the threat was over, the good guys had won. The end. Happily ever after. While I acknowledged that it makes sense the Empire would still exist in some form, again, it cheapens the original to a certain degree. Similarly, say Luke falls prey to the Dark Side totally. That makes his emotional journey across basically the entirety of the original trilogy moot. By Return of the Jedi, the point is that he resists the darkness inside him, like it was inside his father, and stays true to the lighter side of the Force. He has beaten temptation and the Emperor, and this is compounded by Darth Vader's own redemption, having been saved by his son's mercy. Even if Luke finds the lighter side again by the end of the trilogy, it's basically a rehash of his journey in the first trilogy. Basically, I hope this trilogy doesn't use plot points at the expense of the original trilogy.

Those fears aside, because I'm probably just being alarmist, there are really interesting nuggets of information here and we can only hope that at the end of all this, they add up to a good movie. We'll have to wait another year or so to find out, but again, hopefully it'll be worth the wait. See anything you like here? Things you didn't? Fight about it below, Fanboys and Fangirls.

Best known for his role in the long running Power Rangers series, Jason David Frank has become an iconic figure in the pop culture world. For me, Power Rangers wasn't just a show, it was a bonding experience for me and my brothers. We would spend hours in the backyard screaming "It's Morphin' time!" Of course, they would both fight over who would be Frank's Character, Tommy Oliver, and I was always Mighty Morphin' Pink Ranger. Even as an adult, my children are obsessed with the show.

Jason David Frank as Mighty Morphin' Power Ranger
Jason David Frank (Credit: Wizard World)
Over the years, and dozens of Power Rangers later, Tommy has appeared in more episodes than any other character. Frank's professional career doesn't end with the Power Rangers. He is a highly accomplished martial artist and owner of Rising Sun Karate and MMA. He also has his own line of Christian-based MMA clothing and fighting gear. I recently interviewed Frank, who will be a special guest at this month's Wizard World Nashville Comic Con, and found out more about his upcoming projects.

FA: What do you love most about attending conventions?

Frank: There is nothing I love more than getting to meet all of my fans. I have a motto that I go by and that's "no fan left behind" and I want to meet as many of my fans as I can. I get the most satisfaction from seeing how my fans turn into kids again when they see me. Some bring their children or little brothers and sisters to meet me too which is just great to me because I get to see how I have a new generation of fans that are inspired by me and the character I portrayed.

FA: What can you tell us about the new Power Rangers movie?

Frank: There's not much to say at the moment. There are so many things that need to be planned first before the movie is even shot. All I know is that there is a huge fan base that want to see myself and the originals in the movie. I'm just as excited as everyone else is to see what Saban and Lionsgate come up with.

Jason David Frank photographed as the Green Power Ranger
Frank as the Green Ranger (Credit: Wizard World)
FA: Throughout the years, which color ranger has been your favorite to play?

Frank: The Green Ranger has a special place in my heart because he was the first ranger I played. He has become an icon for the Power Rangers. He's like the Wolverine of the X-Men; however, the White ranger is coming in close second.

FA: I've spoken to a few people that have taken some of your martial arts classes in Tennessee. Is that something you offer often, and how would a fan find out about these classes?

Frank: At Wizard World, I always do a martial arts class where I teach everyone some basic moves. Martial arts is so important to my life that I want to reach out and teach all the people I can. I'm actually in the process of launching a new online training program trainmejdf.com where I will be able to teach anyone through the internet. It will be a great supplemental program to help current martial artist or who are just starting to learn reach martial arts excellence.

FA: Besides Power Rangers, Are you a Fanboy of anything? (Pop culture or not)

Frank: With going to all these conventions, I am learning more and more about pop culture. Although I'm not really a Fanboy of anything at the moment, when I was young I used to collect comic books, especially Marvel comic books. I sold my collection of comic books to buy my first martial arts school at 18.

FA: Lightsaber or Magic Wand?

Frank: Definitely a lightsaber. I love training with those things.

FA: You will be attending the Nashville Comic Con later this month. Anything you love about the city or must-sees in Nashville?

Frank: Nashville is so full of life. Last year, I remember walking down the streets and there were so many people, lights, and music playing. It just seems like a very exciting place to be in.

FA: What other projects do you have going on right now?

Frank: Right now, I'm working on a web series project with Bat in the Sun called Taz Kayden Operation Black Unicorn, which is a black ops web series that will be released this winter. I also just finished the second season of my reality show, My Morphin' Life. You can see the first season on powerrangers.com 
Sexy Jason David Frank shirtless with tattoos
Jason David Frank (Credit: Wizard World)

FA: What would you say has influenced your career the most?

Frank: Martial arts has been such a great influence in my life and my career. Martial arts brought me to the role of Tommy Oliver and it has shaped how I live my life. Martial arts presses on living in positive way and I put out positive vibes into the universe so that great things happen. I have so many people that look up to me as their hero so I want to make sure I keep the values they can be inspired by.

The Wizard World Nashville Comic Con will take place on September 26-28th. Don't forget to buy your tickets HERE before they sell out. If you aren't in the Nashville area, visit the Wizard World website to find a convention near you. What is your most memorable Power Ranger moment? Please leave us a comment and tell us your thoughts.

Spider-Woman's Ass Causes Uproar with Spider-Woman #1 Variant Cover

Posted by Saliv - Tuesday, September 9, 2014

Greetings, Fanboys and Fangirls! This is Sam Lascio, bringing you news on a very touchy subject: sexism in comic books.

You might be asking yourself, "Damnit, what happened now? Did someone introduce a female character who is a total idiot, but is hot? Did a current female character act sexy when she should be the symbol of female empowerment? Did a male superhero put down a female superhero?" Well, the answer is: none of the above! This time, a potentially racy variant cover has created an uproar. Why? Well, let's take a closeup look at it.

Spider-Woman's butt exposed in new variant cover issued by Marvel Comics.

Look! It's a heart…it's a couple hams pressed together…it's SPIDER-WOMAN! Specifically, it's the variant cover of the new Spider-Woman #1. Now, let's take a look at the full cover.

The new issue of Spider-Woman creates controversy with it's variant cover.

It doesn't take a genius to see why people have reacted negatively to this. At first glance, it does indeed appear suggestive. That is, until you look at it a bit longer (not for that reason) and realize that she's just in a wall-crawling pose. We've seen Spider-Man in similar poses, so why is it wrong for Spider-Woman? Well, Megan Friedman of Elle wrote a harsh review of the variant cover titled "This Is What Happens When Men Try to Draw a Female Superhero." The cover was drawn by renowned artist Milo Manara. In the article, Friedman said
"It's hard out there for a female superhero. When Wonder Woman finally ended up in a movie, the Hollywood powers that be made her look like Xena, cutting out all her campy fun. And when Spider-Woman gets a rare comic book series, she ends up looking like a porn star. […] Spider-Woman looks like she's simply covered in body paint, flashing the city she's ostensibly protecting. […] All in all, the image seems to toe the line of pornographic; imagine Spider-Man in that position instead, and the concept would have never gotten this far."
Strong words, and with many assumptions thrown in there. I won't touch on her Wonder Woman comments, but let's get down to business:
  1. Megan Friedman refers to Spider-Woman getting a "rare" comic book series, when in reality, she's had a decent run. Volume 1 (50 issues) ran from April 1978 to June 1983, Volume 2 (4 issues) ran from November 1993 to February 1994, Volume 3 (18 issues) ran from July 1999 to December 2000, and Volume 4 (7 issues) ran from November 2009 to May 2010. Now, those numbers aren't stellar, and she definitely hasn't had the attention other major heroes have gotten, like Spider-Man or Iron Man, but she's gotten more than some more well-known heroes, such as Hawkeye. Now she's getting a brand new series, so I wouldn't exactly call her series "rare." Common? Probably not, but not rare.
  2. She looks like a porn star? Really? Look, anyone with common sense can see that her butt is sticking out, but it's not like she's biting her lip, bent over a table, and waiting for some man to grab her ass and start plowing. Let's relax for a second. Also, saying she looks like she's in body paint and flashing the city? Does she not know that nearly all superheroes, male or female, have hyper-unrealistically tight costumes? You can almost always see every muscle, every vein, and yes, even every bulge in those tight-ass suits. So is she trying to make the case that when a man does it, it's okay, but when a woman does it, it's pornography? Doesn't that violate the very argument she's trying to make?
  3. "...imagine Spider-Man in that position instead, and the concept would have never gotten this far." Yes, let's try our hardest to imagine Spider-Man in such a pose. It would probably look something like this:

Spider-Man cover art compared to new Spider-Woman variant cover art from Marvel Comics.

So, if Spider-Woman is flashing the city and displaying herself like she's in a porno, does that mean Spider-Man is doing the same thing? No, it's the classic wall-crawling pose common among Marvel's Spider heroes. Also, this is a variant cover for Spider-Woman #1, so it's optional; if you don't want to buy it, you don't have to. For anyone interested, here's the official cover:

The cover of Marvel Comic's new Spider-Woman series.

As elegantly stated by YouTube channel host Maddox, "If you don't want to sexualize her, then don't sexualize her." I feel the whole argument comes down to some people shaming the human body and making sex this ugly thing that should be looked down upon. Even though I don't find the cover to be that big of a deal, I can still understand why it's a topic for discussion. Sexualizing the female body has been a problem in comics for a long time, and only in the past few decades has there been a shift in perception. However, shaming the artists who created the cover and comparing Spider-Woman to a porn star is downright disrespectful. When people try to make the argument that men would never be found in this pose, even though they have been, and that it's a grab for male attention, you also end up telling women what they can or can't do. Fans of Milo's artwork, both men and women alike, have celebrated it as empowering the female form and something that makes the public realize that the female body is nothing to be ashamed of. Also, to suggest that this happened because a man drew it is flat out sexist.

What do YOU think of the Spider-Woman #1 variant cover? Is it overly sexualized and degrading to women? Is it empowering? Should people stop putting labels to things when there's no reason to? Let us know what you think in the comments section! Thanks for reading, everyone! My name is Sam Lascio, and I am a Fanboy!

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